The Lost Tracks
By
Richard Dillon
Written by
Steve Sheppard
The finding of lost things can be an emotionally charged
event, I have done it myself and the memories of their creation can literally
take one back decades in mood and in emotion, here on this wonderful new album Richard Dillion has done just that,
re-found compositions once thought lost and brought them into the light of a
new day for us all to enjoy, and a passionate ride of great feeling from the
artist is one we are about to embark upon right now.
Lost Tracks starts with a hymn like beginning on
the piece Arlington ft Neil Patton,
Neil has joined Richard as a pianist on many of the tracks to support the
artist’s physical issues with playing the piano, and on this and many others he
has done a remarkable job.
This 15 track album, that in some ways reminds me of Jeff Bjork’s Keepsakes in the Attic release, is a reflective
and memorable collection of sublime compositions. Here however the artist has
opened a box of musical treasures that were once thought of as lost, and one of
my favourite creations would be this next one called Crystal Rain ft Neil Patton,
its mournful refrain contains a sense of sadness and reflective genius.
There are a few singles that have broken the landscape this
year and come from this very album, the bright and sparkling reverie of Butterfly Dreams being but one, and
then the passionate refrains of Cloudburst
ft Neil Patton manifest a pouring
down of notes from a dark and cloudy sky for us, in a crisp rain soaked
offering of great quality.
The beauty of this album is that it literally contains
something for everyone within it, different moods and feelings can be found
behind every closed door now opened, like the amazing Don’t Go, a plea of a heart felt statement, the pondering and
passion filled notes here moved me greatly, while on offerings like Echoes of a Broken Heart ft Neil Patton, we have a more tentative
piece, one that is played with such a pristine touch by Patton, but composer
Dillon must have been delighted with the deeply touching presentation on this
heart-warming opus.
The darkness of late evening falls upon us now, and through
the track Twilight we have a steady
onward movement into the darkness of the night, a superb progression can be
heard here from the artist, then on the following narrative entitled Putting Pen to Paper we can revisit
another of the singles released earlier this year on an soundtrack styled
composition of grandeur and style.
We now arrive at another offering that touched my heart
deeply, and this one is called Faded
Memories ft Neil Patton, the
minor nature of this track fills me with the energy of memories I too am seeing
beginning to fade of my past, as I get ever older and fortunately wiser, with the
lessons of life learned.
Goodbye is another one of the singles
released in 2024 and is next on our journey, this almost classically style
arrangement moves us gently into the arms of Lullaby ft Neil Patton,
here is a simply delightful creation, played with such calm and tenderness by
Patton, so much so that it’s light and soothing narrative is indeed quietly
meditative.
Then the most proud of all moments now as we arrive at the
door marked title track, and through Lost
we have a sensitive and moving piece that creates a lump in the throat, a
flutter in the heart, and a tear in the corner of the eye. I have been lost in
my time, and thus this piece of music could have easily have been the
soundtrack for that, or those events of sadness and aloneness.
We are truly in the weave of this musical box of many lost
treasures now, and as we arrive at this juncture we find a composition called Passage of Time, this has to be the
most ambient offering from the album and the artist’s delicate presentation
gifts us a moment of measured brilliance, a performance in the forests of
evermore, in the very mists of time itself.
The penultimate track once again contains the deft touches of
pianist Neil Patton and is called New Earth. I adore this composition; it
has something we all need built within its structure, hope. This last but one
offering could well be used in a movie segment one day to illustrate new
beginnings and lessons learned.
So we are here, knocking on the last door of the album and
this concluding creation is called Smokey
Mountain Sunset. If ever there was a
sublime piece with which to end an album with this would be it, its energies
capture many images and vistas of nature and its overall narrative, a beautiful
textured and layered parting gift to thoroughly enjoy.
The Lost Tracks by Richard Dillon is indeed a treasure trove of brilliant music well
found, we can all agree that the world of music, and especially the genre of
piano will be all the better for it, for me I found this voyage cathartic and
at times incredibly moving, this release deserves to be a massive hit and to
garner a whole heap of plaudits along the way, so do yourself a favour and grab
a copy of The Lost Tracks by Richard Dillon as quick as you can,
it’s the album that the piano genre has waited an eon to find.
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