Promise of Love By Alan Hanslik

Promise of Love

By

Alan Hanslik

Written by

Steve Sheppard

 

I felt a certain calmness of spirit trickle over the cadence of the day, and felt in need of some blissful new age vibes to complete my eager bliss, I got this in plenitude via a brilliant new album by Alan Hanslik, with his latest release entitled Promise of Love.

Now it’s not that often that you see an artist place the longest track off the release to start the musical journey, but I am very glad Hanslik made that choice, as the title offering Promise of Love is literally idyllic and a perfect place to begin, its warm motifs and reveries washed over me to set the scene for an absolutely beautiful musical sojourn.

You will utterly revel in this album; the heart felt sereneness of this next piece is a fine example, and called The Hope. Please enjoy the textures here; they are multi layered in a soft temperate style. This is the type of music I could listen too on repeat for hours, the headphone effects and change in tempo and structure at the midway point was cleverly done, to leave us still floating on a cloud of musical peace.

This album is a veritable soundtrack of tones and textures, mixing long form and short, and as we traverse the offering Home we are gifted a composition that seems to create its own musical narrative as it goes, the structure of the keyboards here are magnificent and there is also a slow sense of movement deep within the weave of this nine plus minute arrangement that is undeniably clever.

The story continues with this next composition entitled Anticipation, this is something that Hanslik has built up beautifully so far on the album. We have a little sharper sound here to enjoy through the refrains of this fascinating piece, the keyboards and synths bring us a real sense of an excitement building through this enthralling musical narrative.

As we edge towards the half way juncture we come across an arrangement called She's Not There. There can be now found in this offering a feeling of apprehension or concern for the first time on the album, the title probably explains all, has our hero been stood up? However this gives the artist plenty of time to manifest a whole realm of classy ambient music for us to reflect with, the build and progression here by the artist is also wonderfully executed on this quite deep, but colourful composition.

We now arrive at the half way marker, and to usher this change in we are given a short but memorable offering entitled Turnaround. The electronic flavours here are delicious and offer a total change of energy, the bass and keyboards seem to be manifesting a reality of confidence and positivity that seems to be building.

The Shift continues the theme of the previous offering; Hanslik is now in full flow with the more electronic energies that revolve within this arrangement. That manifestation is beautifully crafted and through the music we can feel a sense of creation occurring, something new and exciting, check out the smooth and chilled shift, making its announcement at the half way juncture of the piece with a lush percussive beat, in a truly magical style.

Rebound is up next and offers us all a doorway to some of the most creative ambient and instrumental music I have heard for some time, with elements even of Steve Hillage’s Rainbow Dome Music in the mix for me too. This was a masterful composition, that to be honest, I had a hard time moving on from.

We should all dedicate a little time to Reflection. This allows us to gaze over our journey thus far and make any alterations needed, and to learn perhaps from any mistakes. Hanslik’s gentle touch on the keys here is much appreciated and once more reminded me in style of another ambient artist I know called Laraaji.

So we have arrived at the penultimate portal to the album, it is entitled Rendezvous, the sensual soft tones of this track are sumptuous and utterly encapsulating, it is hard not to just drift away to its subtle inevitabilities. The keyboard was carefully played to give the listener maximum enjoyment on this continued voyage of musical plenty. The arrangement was also cleverly worked, and as a listener, one had to do so intently so as not to miss a single nuance.

So we finish with the happiness felt from the last track off the album, and of course entitled Promise of Love Medley, there is something in here for everyone, and something from the entire album for us all to enjoy, this is absolutely the perfect way to sum up the entire concept of the release, leaving the listener full filled and happy.

Promise of Love by Alan Hanslik is a wonderful work of art, a sound track for a silent movie and something so calming and serene one could use its lovely contents for many reasons. The artist has manifested something of natural outstanding beauty with this release, and I know I shall be playing it for many days to come, which makes it quite easy for me to give it a big thumbs up, and without reservation recommend this beautiful collection of creations to you.

Myst by Bergi

Myst

By

Bergi

Written by

Steve Sheppard

 

I was listening to this song on the radio only the other day and it had me transfixed; the imploring nature of the piano was so moving and emotive, that I just had to listen to see where it would take me.

Myst from Bergi is an outstanding single from the artist, the performance on piano is utterly reflective and deeply emotional, and a song that would easily fit into the category of being cinematic in its overall energies as well.

If a composition stops me in my tracks it must be good, and Myst from Bergi is most certainly that, it is music that will conjure up memories moods and images within the mind, it is a song that may well bring a tear to your eye with its tones of reflection and sad beauty, but overall, it is a piece that I am more than happy to recommend to anyone who likes their music to move them to the very depths of their soul.

Misty Window By Ramesh Kumar Kannan

Misty Window

By

Ramesh Kumar Kannan

Written by

Steve Sheppard

 

I regard myself as a newbie to the world of Jazz, my four year journey has sealed a love for this deep and wide genre, and my appreciation of truly superb tunes is now at its peak, and Misty Window by Ramesh Kumar Kannan would certainly have to go down as an absolute must for my Jazz radio show as well.

Misty Window by Ramesh Kumar is a smooth and laid back Jazz composition that creates such evocative images of Jazz clubs throughout the ages, the calmness of performance here is sublime, the light percussion and beautiful bass all adds weight to this crafted new single by the artist, as his presentation on piano is one of the best I have heard this year in the Jazz genre, and one I find extremely easy to recommend to you right now.

Calling County Clare By Fiona Joy Hawkins

Calling County Clare

By

Fiona Joy Hawkins

Written by

Steve Sheppard

 

This I must say comes at a very good time for me, as I have just been asked to guest host a Celtic Music radio show, so it’s going on my playlist right now. The multi-instrumental nature of Calling County Clare is truly magnificent, with a full flowing percussion, smooth and tranquil guitars and whistles all guiding us around the landscape of County Clare; it really doesn’t get any better than this.

Fiona Joy Hawkins piano literally sings in a joyful repose and positivity, and the colours that flow from her keys are truly sublime, and at all times quite moving too. Sometimes I have it easy when presented with such sublime compositions, as such it I am blissfully happy to recommend Calling County Clare to anyone who likes truly beautiful instrumental music, here is a song that will take you on a journey, and leave you with a smile on your face whilst doing so.

Sabbe Satta Sukhi Hontu By The Song Gardeners

Sabbe Satta Sukhi Hontu

By

The Song Gardeners

Written by

Steve Sheppard

 

Many would call Sabbe Satta Sukhi Hontu, written by Corrie Dunn a devotional track, perhaps spiritual, well yes it could well be, but apart from that it is another outstanding new single by The Song Gardeners who with their other new work Love Flows are capturing the ears of new listeners all across the globe.

How can you argue with the lyrics that state “May kindness be your guide in this world”? There are a few world leaders who need to learn that lesson, and quick!

The multi-instrumental nature of this track, the outstanding vocals, the message of the song, and the sublime production quality of this single are just what the world needs right now, just what my soul needed right now, and I am guessing if you’re a fan of really good music that can and will empower you to raise your own energies, you too will fall in love with Sabbe Satta Sukhi Hontu By The Song Gardeners, it is that good.

Love Flows By The Song Gardeners

Love Flows

By

The Song Gardeners

Written by

Steve Sheppard

 

I have come to expect quality compositions these days, the genre that could loosely be described as New Age is on the upward march and now embracing the ever growing singles market, but today I was utterly blown away with this latest single by the band The Song Gardeners entitled Love Flows, written by Mary Gospe.

The combination that brings the magic to our ears is singer/songwriter Corrie Dunn (vocals, piano, guitar), singer/songwriter Mary Gospe (lead vocals, guitar, flute), and Chris Day (bass) with additional guitars are by David Scheibner.

As a guitarist myself I loved the work on this new single, its music to make the hair stand up on the back of your neck. Love Flows is simply musical beauty at a whole new level, and I testify to that, as this is now my fifth consecutive play and it won’t be my last.

Here is a composition bathed in something we desperately as a planet need now, positivity, it is without doubt an absolute must buy song indeed.

In This Moment By Laura Christie Wall

In This Moment

By

Laura Christie Wall

Written by

Steve Sheppard

 

I listened intently to this album in its entirety several times before even thinking about creating a review for it, I felt indeed of some calm, some solitude and inner peace, this world is a little crazy right now, but thankfully due to the performance by Laura Christie Wall on this beautiful album entitled In This Moment I found all three desires.

I try each and every day to keep in the moment, after all, it is all we will ever have and this album was a testament to that bliss that I like to call a halcyon occurrence. Each piece on this release is utterly blissful and creates a space within the minds eye, to ease back and reflect in a calmness of serenity. The first track on this eight part offering is the shortest of them all and called Do You Remember, a perfect opening portal to a world of lush and smooth solo piano.

There is a vast depth about this next offering that is so appealing and well suited for the state of the planet now. Going Under has a sense of reflection about its energies that will touch your mood and emotions, but there is also a delicate essence of hope built into the weave as well, something we all need.

Then with a flip of a musical coin we are gifted a pristine composition called Euphoria (Piano Solo). This version stands out as one of the most emotional offerings off the album, played with such a precise delicacy it is blissful to just listen to over and again and still be lifted. The melody is upbeat and offers much to allow the senses to become euphoric about its overall construction.

At the half way juncture we come across another favourite of mine and this is called You Win. Whether this is a statement of resignation or one of saluting a victory of another is up to you to call, the fluent piano here will bring a certain feeling of serenity, and a well meant energy of surrender to the musical soul that all will enjoy; the use of pause here also has to be applauded, it has been executed brilliantly on this track.

We now move into the latter half of the release and as we do so we come across this charming musical narrative called Beautiful You. The artist’s piano here is like a truth machine, you know the moment when your loved one looks into your eyes and says you are so beautiful, and you know they actually mean it. The elevation in tempo and energy near the middle of the piece gives a moment of delightful interplay, one that was so beautiful to enjoy.

The clock ticks away and somewhere between that tick and tock, the night crawls into this dimension of sleep and restful ambience, and dreams begin to grow, usually for me at Quarter Past Midnight, which just happens to be the title of this very composition. This is one fine performance of solo piano, one that depicts this time of day to perfection, one that also illustrates just what a colourful pianist the artist is, and this ability to paint with sound manifested for me here, one of the best offerings off this release with ease, a track I could listen to for an eternity.

As we reach the penultimate track off the album we find we are gifted another moment of reflection through the composition Someday. This is a wonderful memory kissed offering that has a creative change of tempo and intensity built within its own weave, listen also to the blissful fluent performance here too, it is gorgeous.

So we have reached the very last doorway to the album and it is called Found. I always find a concluding track of an album could be a powerful roundup of all that has gone before, or one that gives hope perhaps, or in the case of this album and this track, one of the most serene and contemplative ways to leave what has been a truly wonderful journey of solo piano.

In This Moment by Laura Christie Wall was indeed the panacea I needed today, the tone of the album brought back my balance and each and every composition allowed a sense of musical clarity to grow within my day. Here is an album that you just have to bring into your musical realms, solo piano never sounded so good, so crafted and masterfully creative, and this is an album that with ease, will fill your world with much needed peace and tranquillity that we all need right now.

Not Forgotten By Eric Chapelle

Not Forgotten

By

Eric Chapelle

Written by

Steve Sheppard

 

There is something very appealing about an Eric Chapelle performance, as he always leaves the listener deeply satisfied and utterly moved at its conclusion; this is entirely true about the pianist’s latest single, the powerful and yearning tones of the single Not Forgotten.

Chapelle’s style is a mixture of absolute confidence, supreme fluency and a masterful knowledge of knowing what’s needed and when. I adored this track! Not Forgotten is a powerful reflection of moods that need to be remembered and respected, and as such this is one of those pieces that is almost impossible to stop playing repeatedly.

Brynlee's Theme By Kayla Peeters

Brynlee's Theme

By

Kayla Peeters

Written by

Steve Sheppard

 

There is something moving yet utterly artistic about this single from Kaya Peeters entitled Brynlee’s Theme, the piano is empowering and a creator of the most beautiful layered moments of musical magic you’re ever likely to hear.

Now add on the sublime nature of the multi-instrumentation and symphonic gestures in the single, and you have a total winner of a composition that is literally bound to make a significant mark on the singles chart.

Fluent, passionate and cinematic, Brynlee’s Theme by Kayla Peeters has all the hall marks of a wonderful soundtrack and a very memorable single and as such a single that is extremely easy to recommend.

Better Together By Richard Dillon

Better Together

By

Richard Dillon, ft Helen Austin

Written by

Steve Sheppard

 

Hot on the heels of his award winning success with the single Right Now, Richard Dillon has produced another new single called Better Together that stays in the mood of the modern day pop genre, and utilises the singing talents of vocalist Helen Austin.

Dillon has become a sublime producer of remarkable popular songs lately, and this one follows on in that style, gentle vocals are offered, with subtle but well-presented lyrics, all in a stylish arrangement that should woo his fans once more and deliver the musician and composer yet another huge hit.

The Singles By Claus Jahn & Friends

The Singles

By

Claus Jahn & Friends

Written by

Steve Sheppard

 

Claus Jahn has been in a thoughtful mood lately, we have recently felt the beauty of the album created with the late Wolfgang Gesell, and here on this next compilation of tone and sound we are gifted some 10 tracks that are lovingly called The Singles, an album created with other musical friends as well as Wolfgang.

The musicianship on this release is quite breath-taking, and contains works that include the following artists Martin Neuhold, Wolfgang Gsell, Wolfproject, Ansgar Stock, Matthias Stock and Globotom.

This is a wondrous and expansive collection of works that are all extremely listenable and beautifully produced, such as the opening piece entitled The Last One by Wolfgang Gsell, Martin Neuhold & Claus Jahn, some eleven minutes of lush electronic ambience, then utterly fascinating, but beyond picturesque realms of the piece called The Return of the Dark Force, a track for me that contained a sense of operatic nuances, mixed with a shady reality of new age ambient tones, a masterful solo work from Jean.

I must say the quality and musical professionalism on this release is gold standard and we can be further enthralled by offerings like the fun, light-hearted and very rhythmic Cuba Cubana, or the vibrant and dance filled tones of Go Dance (Students Disco Edit) remastered version.

The Singles is truly one of those releases, that because of its very nature literally does have something for everyone who adores electronic based work, and for those who may be dipping their feet musical speaking into this genre for the first time, trust me you will find the experience quite enjoyable, so give it a try, I have a feeling you will be extremely pleased that you will have done so, and one must give a tip of the hat to all the artists who have dedicated their work to this most pleasurable collection of songs.

Hidden Flowers By Masako

Hidden Flowers

By

Masako

Written by

Steve Sheppard

 

The work of Masako has always been one that creates wonderful images and vistas within the mind, her last album Underwater Whisperer manifested a whole new reality of tone and sound for me. The good news is she is back in 2020 with a brand new offering entitled Hidden Flowers, and it is one very beautiful musical ride indeed.

We start with the passionate colourful and uplifting opus of Harajuku Memoir. This piece was inspired by a fashion town in Tokyo Japan and is the perfect launch pad for our sojourn within the realms of this latest release.

As soon as I started listening to this glorious album, it became very evident that here is a release packed with a beautiful depth and subtle textures, and such a blissful sense of sereneness; this much can certainly be said for the offering Age of Flowers, the smooth performance on the piano is translucent in its creation, and one of the most attractive pieces off the release.

Sounds of the ocean courtesy of Tom Eaton start our journey through the track Acadia. I can see that this one will go onto be one of my personal favourites off the album, Masako’s performance is so soothing, and the inclusion of brass supremo Jeff Oster was a master stroke. If this national park is as beautiful as the music that portrays it, it would certainly be something to see.

The energies rises slightly on this next offering entitled Remember the Rainy Day. How I wish we could have one or two of these during this long hot summer, however the country of my birth has rainy days relentlessly, and this track would be the perfect backdrop for one of those afternoons, watching the endless rain fall from grey laden clouds.

This next piece felt so familiar to me, Blossom River is just so beautiful it is possible that it touched so many halcyon moments from my life. Rivers are an emotive subject and of course an artistic well of plenty, the flute and piano performances bring forth amazing images of coloured petals floating down stream. Masako has created one very stylish track here; it is a multi-instrumental composition of natural outstanding beauty.

The half way juncture finds us Observing M31, this light and effervescent composition of great clarity is utterly stunning, and contains the work of the artists Eugene Friesen and Premik Russell Tubbs. The natural energies of this song is truly something to behold, and perhaps this could also be the first time we have heard an arrangement dedicated to the galaxy of Andromeda, whatever, this must have been a fun piece to have created and performed.

We have now taken a tentative musical step into the second half of the album, and as we do so we come across a charming narrative to explore entitled Forgiving. Masako’s creation of ambience is superb, and adding in the soothing vocals of Noah Wilding we have a truly soulful composition to enjoy.

I had a feeling about this track before I had even played it, my instincts were right, Eternal Bliss is a sun kissed offering that creates such a wonderful fluent sense of forevermore to enjoy. Masako’s piano manifests such a sparkling resonance, and when one adds the violin of Charlie Bisharat into the mix you have musical heaven.

The delightful minor major start on this next composition entitled Southbound Flyway may well become another life time favourite of mine by the artist. There is a sense of reflection in what is a powerful piece, one that once more contains Jeff Oster. I adored Masako’s performance here, one that seemed to be bathed in nature and flight, like watching a flock of birds flying south for the winter. Thankfully for me, it is the longest piece off the album at just shy of seven and a half minutes long.

We now find ourselves in the deeper reaches of this musical pool of delights, and as we float along we are gifted a composition to enjoy entitled Suddenly Cherry Blossoms. Masako manifests energies of respect and appreciation in a composition that is at times quite emotive, but in a positive way.

There is something to be said for this time of year, as we listen to Winter People I’m mindful of being so grateful for it, I live in an extremely hot climate, so a month of cool weather is much appreciated in January. Artistically winter offers much up for the musician to work with, and clearly the artist revels in this season, as this beautifully fluent arrangement and piano performance radiated a true warmth and passion all of its own.

Our last track is dedicated to a fascinating place I have yet to see, I came close on a brief visit to New York once, but had no time to spend walking the Central Park Retreat. Masako is leaving us with a vast performance that takes in colours, shades and shadows of a day in the park. Her performance seems to beautifully pick up on the constant energies of people going about their daily business in this beautiful area, in a splendid ending piece indeed.

It is so good to see Masako back with such a textured and beautifully played album, the multi-instrumental nature of the release is craft-fully manifested to give us a collection of utterly transfixing compositions. I would dare to say this is her best work so far, it is an album that seems to drift along with a loving intent. Masako must be one of the most fluent and creative story tellers of her genre and her day, and Hidden Flowers is a total gem of an album to be admired and played endlessly.

Reflections (Solo Piano) By Karen Biehl

Reflections (Solo Piano)

By

Karen Biehl

Written by

Steve Sheppard

 

There are many reasons in 2020 to be in a reflective mood and Karen Biehl has created here a testament to that mood by manifesting a truly moving composition called Reflections as her latest single.

This gentle and deeply emotive new release mourns the passing of her father and the depths of devastation and sadness brought about by the global pandemic which threatens us all.

The performance here on piano is quite breath taking and wonderfully beautiful within its own reflective nature, this I would imagine could well be an anthem for the mood of our global family currently, a piece played with so much heart and tenderness, that it is truly hard to contain one’s own feelings.

Aus der Stille Ward Schoepfung (From Silence Comes Creation) By Claus Jahn & Wolfgang Gsell

Aus der Stille Ward Schoepfung (From Silence Comes Creation)

By

Claus Jahn & Wolfgang Gsell

Written by

Steve Sheppard

 

From the depth of the past sometimes comes great beauty, and from its open arms a flow of beautiful energy that can be felt across the world, this is how I would describe this release from the artists Claus Jean and the late but much respected, Wolfgang Gsell.

This remastered version from the 2017 offering, credit to Frank Tischer here, is one of the most transcendent albums I have heard for months. Listen to pieces like the title track itself Aus der Stille Ward Schoepfung (From The Silence Comes Creation) beauty doesn’t just live within this offering, it gives up a sense of hope and total peace, and is one of my personal favourites.

This mixture of guitar and keyboards is examined further through the piece Das Weite Land Jenseits der Tränen (The Vast Land Beyond the Tears). There is also a delightful global fused ethic here to enjoy as well and some very pertinent percussion too.

There is indeed much to like about this release, its narrative is positive and forward thinking, however moments of utter ambience are also explored on compositions like the chilled, Stille Hoffnung unter Eis Bewahrt (Hope Kept Under Ice), or the fluent and choral class of the arrangement, one so laid back on Zeitenwandel (Time Change).

Aus der Stille Ward Schoepfung (From Silence Comes Creation) by Claus Jahn & Wolfgang Gsell has 11 wonderful pieces on offer, and none of them will disappoint the avid listener and seeker of really good music, and as such this writer is destined to slip back from time to time to add a track or three to his personal playlists. Here is an album beautifully presented, produced with such a charming sense of warmth and tenderness and of course with ease, one to recommend to each and every one of you without a shadow of a doubt.

Bittersweet By Crusader Beach

Bittersweet

By

Crusader Beach

Written by

Steve Sheppard

 

There is something beautifully reflective about this brand new single by Crusader Beach entitled Bittersweet. The gentle energies of a delicate piano performance by the artist can be found here, and an opportunity to take a Waltz too. The reflective nature of this composition gives rise to a delicacy that David Lanz once found on Cristofori’s Dream.

The artist has in my view created something very special here indeed, it has a haunting presence, bathed in a loving remembrance of when two hands touched and love was found, perhaps a love that has now gone, but a heartfelt moment of the past is felt here, and longingly thought of.

I have now listened to this single three times in a row, it has a lush and moving addictive nature to its musical persona, one that I hope will attract you too. Bittersweet by Crusader Beach has to be one of the most charming piano singles I have heard this year.

Amor Mundi (Life As An Infinite Flow) By Anantakara

Amor Mundi (Life As An Infinite Flow)

By

Anantakara

Written by

Steve Sheppard

I have been fascinated by the musical journeys that Anantakara have taken me on over the last few years; these sojourns of electronic majesty have really been deeply artistic and utterly transfixing. The delight here is that I now have the good fortune to write about this latest release entitled Amor Mundi (Life as an Infinite Flow).

This journey of sight and sound starts with the track Shimmering Times, a piece so addictive to listen to, its ever expanding narrative draws the listener into a whole new realm of electronic magic.

Show Me Your Wonder, has a delightful depth about its construction, listen intently to its tones and vast nature, then perhaps like me, you too will be pulled into a world of expressive and expansive brilliance, the staccato stringed elements and the percussive backdrop, is all cleverly manipulated into a weave of musical genius which would become something truly special to behold.

Chthonic Memories contained a few effects that I have created on my own electric guitar to open with; this would lead us nicely to a portal of crafted and extremely artistic segments of music, which seemed to all have their own musical spheres to rotate within.

As we move deeper into the album I would find one of my personal favourites, this gem is called Sister Moon. There is something so tranquil and peace filled about this offering, its repeating energies also reminded me a little of an old style Eno offering called Discreet Music. The build here was also well worked, and its electronic nature and heart beat could be felt throughout the remainder of this truly superb offering.

As we nudge the musical envelope further across the table of tone, we come to a really fascinating track called Amo Ergo Sum. Translated it means I love, therefore I am. This adds so much to its riveting ever onward movement; for me the underpinned fluency and explorative essence of this track made it another personal favourite.

The light textures of this next piece entitled The Riddle of a Soul, were ones that brought us a fascinating insight into the compositional structure of the album, here we would find subtle and haunting flute sounds that created a wonderful new age feel, partnered with the stylish electronic motifs, it took the piece to a whole new level.

We are now in the second half of this fine collection of compositions, and as we constantly move forwards we find ourselves at a doorway marked Riding The Flickering Crests. There was a tantalizing smoothness about this track that was deeply addictive, its subtleties altered ones perception in the middle half of the track, as a more percussive energy started to come to the fore, but always with the symbiotic partnership of the albums over all electronic nature.

Amor Mundi (Life As An Infinite Flow) is certainly one of those albums that you must not take your eye off, you may have to listen to it over and again to truly appreciate all the nuances contained within, like this next piece called Deus Sive Natura. The keyboards manifest an imploring narrative within this piece, while the backdrop of string sounds and percussion do a blissful job of creating a sense of expectancy and tension, in what is the longest track off the album.

We have now entered a realm that is almost multi-fractal in nature; it is called The Matrix Time-Walk. Here is a piece that would be all too easy to get lost within, and in some ways reminds me in music, of the artistic endeavours of the Escher great work entitled Relativity. It is a track that is infinite and ever expanding in its surrealist nature.

The depths we have travelled now become apparent, as we now listen to a composition called A Secret Might. Here the intensity of the offering is well hidden, allowing the natural order of the arrangement to come through on its own, and audibly grow; this is an amazingly crafted track that one could easily get carried away with, its beautiful sense of suspense and anticipation is a thing to revel in.

The penultimate offering is called Strata. The ever present probability of expectation seems to start to be realised here, as a rhythmic percussive beat joins the fray and the artist creates something spectacular and almost cinematic in Isao Tomita style.

The last piece off the release is entitled Irresistible and it truly is, and as an end composition one never really knows what is around the corner of this moment of musical cleverness, the bass work is perfect and the following electronic build and progression creates a dynamic and fluent end to what has been a captivating release.

Amor Mundi (Life As An Infinite Flow) by Anantakara is an album that all fans of electronic music, seekers of ambience and worshipers of truly artistic tones will adore, it’s a journey that never ends, but one that will create layer upon layer of expectation, intent and anticipation as you listen. If this appeals to your sense of musical perception, then you need to make this album a home in your musical world as soon as possible.

Lasting Impressions By Lisa Swerdlow

Lasting Impressions

By

Lisa Swerdlow

Written by

Steve Sheppard

Lisa Swerdlow has been producing a plethora of beautiful music lately, and the singles charts in particular have been adorned with some wonderful compositions from her from this release, so it is with glee that we see a new album from the artist, and Lasting Impressions is an album that will indeed last long in the minds of the followers of really good music.

The starting point is the dramatic yet melodic Listening from the Heart (solo) version, here is the perfect place to start, with a full flowing musical narrative and a performance on piano that is not only classy, but quite moving as well.

Slipping into Dreams certainly has that feel to it, that one is sliding into a night time reality of sleeping thoughts, imaginings so grand and poignant, visions of the mind that are perhaps bathed in the realms of fantasy. As you may gather this is my favourite piece off the album; Swerdlow’s performance here is really crafted and intelligently played, and presented in a way that it is really hard to leave the piece.

Dreams in Motion continues our sojourn through the reveries of the artist and listener, this truly moving opus plays with the heart strings as the performance grows. There is a certain grand nature to this offering that I personally found extremely attractive.

We now have to ask ourselves the question. Was It All A Dream? This thoughtful work is the conclusion to the preceding ones, there is a sensitive refrain here that is appealing, one that was so delightfully played to bring the very best from the arrangement by the artist.

As we speak, Dawn Contemplation is one of my favourite singles to walk within from the album; it has a certain dramatic flair and a cinematic posture that is not only powerful, but exhilarating, whilst Still Here is almost the exact opposite, yet at the same time still retaining some of the passion. The narrative here is calming and soothing as it unfurls.

A sumptuous string section joins Swerdlow’s piano on the track Pentimento. This adds a wonderful layered texture to the piece. Swerdlow’s performance on piano is both influential and commanding, and on a track that has a truly strong foundation.

Now we can slide right into the arms of the title track and another one of my favourite pieces entitled, Lasting Impressions. There is a slight European motif here that is delicious, and the light but pertinent percussion is perfect too, lets add some eventual strings as well, which makes the overall performance, at times, almost classical with a little Jazz, in what is a simply tapestry of musical craft at it’s very best.

The penultimate offering is the orchestrated version of the opening piece Listening from the Heart. Adding in a symphonic element to the arrangement is a stroke of genius, and the mark of a musician who clearly has an ear for what works.

We’re a long way off, but this is going to go on a seasonal playlist, the ending composition is entitled Sing Me of Winter. This is actually a really clever piece and the perfect way to end the album. The melody is deeply memorable and for a track about winter, the compositional structure is really very beautiful and emotive at times, but in an extremely happy way.

Lasting Impressions by Lisa Swerdlow is a delightful mixture of solo piano and the neo-classical, a pastiche of truly good music all brought together on one release! The ever eager listener will love this and in my view, it was one of the most listenable albums of its style for quite some time; Swerdlow’s interpretations and performances are blissful, beautifully played and colourfully portrayed, which makes it extremely easy to recommend.

First Light By Chris Haugen

First Light

By

Chris Haugen

Written by

Steve Sheppard

I fell in love with the work of Chris Haugen back in 2015 when he released the album Falling Water, Shimmering Strings, and still to this day I feature it heavily on my personal musical playlists of choice. Now Chris is back with a brand new offering entitled First Light.

For a coastal dweller like me, First Light is a magical time, fishing boats hit the sea, birds flock to gather for an early morning snack, and a hazy sun might well catch a surfer or a swimmer on their personal embrace with the ocean, and the title track off this album sums those thoughts up perfectly.

This is indeed a magical album, one that will hold dearly in the memory of many who have found solace at this juncture. Listen to the peace filled refrains on guitar of Haugen on pieces like Waves, a track that has an energy all of its own, and swiftly flowing into the arms of the ambience of Peaceful Dream.

The gentle performances by the artist hold strong right throughout the album, and as we reach one of my favourite pieces in Beyond, we can find an almost transcendent bliss to float with. The guitar of Haugen is sublime at creating a pastiche of magical moments to enjoy, like the organic tones of the composition Fjord, or the pool of musical tranquillity created on the long form offering entitled Wanderlust.

There can be no doubt that you will find fluency and calm in abundance on the album, and as you revel in the delicacy of the last arrangement called Path Of Light, you will be already thinking about just leaving this album on repeat, it is that good.

There is no questioning that once more Chris Haugen has created an album of outstanding natural beauty with this latest work entitled First Light. The performances are sublime and beautifully produced and completely redolent of the subject matter, so if you like the gentle, textured peace that the guitar can bring, I can suggest that this First Light just has to be part of your music collection as soon as possible.

Becoming By Bernward Koch

Becoming

By

Bernward Koch

Written by

Steve Sheppard

Bernward Koch has been one of my personal favourite new age performers for years now, ever since I heard the utter delightful tones of Walking Through Clouds back in 2005, but now 15 years later it is a total pleasure to review this latest release Becoming by the artist.

The German composer has been bringing us tranquillity in tone since 1989, and over those years has honed his skills and talents to bring us peace filled musical narratives. That is exactly what you will find on this superb new album, like the soothing A Magical Dream, or the calming refrains of Lavender Fields.

You can always guarantee that when you purchase a Bernward Koch album, you will get wall to wall serenity and an ocean of bliss to bathe within, just listen to the tracks Mysterious Afterglow and A Swan Dream, these are but two fine examples of music that lifts the heart and soul, and at all times paints such a beautiful tapestry of music to hang on to with every willing desire to be at peace.

Koch’s abilities on keyboards are well known, but I’m sure he still improves with each passing album; Becoming as a release has layered textures as you will have never heard before, along with a veritable bed of tone to rest within, like the tracks September Impressions which is reflective, but over flowing with positivity, and the title offering of course Becoming, a piece so tender and loving to be a part of.

Bernward Koch is an artist that time after time offers up quality new age music, to bring you the listener a sanctuary of tranquillity to float within. A go to artist, a painter of tone and texture, and a musician who clearly is in touch with his musical muse, all this makes Becoming an album so very, very easy to recommend.

In The Flow By Joseph Nimoh

In The Flow

By

Joseph Nimoh

Written by

Steve Sheppard

There is one musician who for the past few years has pushed onward to constantly produce absolutely classic material, his melodies have been deep and moving, and those arrangements have been as sweet as summer rain. That musician of quality is none other than pianist Jospeh Nimoh and with the arrival of his latest album In The Flow, Nimoh has once more surged ahead through the vast ranks of the solo piano genre, and brought us an absolute gem of an album.

This latest offering in my view is his best work so far, and starts with one of the most passionate and heartfelt openings I have as of yet heard from the artist, and entitled In the Shadows.

Here we have an album that seems rooted in all that is good and bright, and the track Eternal Bliss carries on that theme beautifully. The title offering In The Flow is one of my personal favourite pieces from the album, a moody repose, but one that carries a lush anthem of hope within its construction, but Nimoh’s performance here was so heart felt and artistically charming.

This 10 piece album is packed with musical colour, and performances on piano that are far and above what you may have been expecting from a piano based album, like the ever determined On and On or Moving Forward. 

This is also an album with many flavours as well, a recipe of Jazz, mixed with Classical and New Age Piano can be found here in abundance, and in a way this is what makes this outstanding release truly special. Examples of this genius are the inventive My Hiding Place and the hope filled final offering Someday.

This latest compilation of great songs is Nimoh’s 8th in all, and with each and every one the artist has grown into a superb musician who is without doubt fully In the Flow. The narrative and characterization of each piece is not only fascinating but totally additive to dive into. Nimoh brings such a radiance of depth and colour into his work, and those two traits alone make this an absolutely recommended release to purchase at all costs, trust me, your musical heart will love you forever.