Physics of Light
By
Vicente Avella
Written by
Steve Sheppard
This latest album by pianist Vicente Avella is part of an ever growing collection of wondrous
compositions created by the artist, however this 16 track creation now touches on
one of my all-time favourite subjects, the qualities and physics of light. Physics of Light is a true journey
through music and via the medium of the artist’s piano, I cannot wait to feel,
hear and be part of this experience.
The starting opus is entitled Light Particles and the expressive performance here by Avella is
both steady, with an onward motion that slowly builds with an underpinned
confidence, one that leads perfectly into one of many favourites for me on the
album entitled Radiance. Long have I
admired the radiance and sparkling qualities of light on other objects and
matter, for example the ocean, here this fine presentation is a flourish of
magic that manifests the moment perfectly for me.
The slower and more moody aspects of Where Light and Shadow Meet is simply sublime and is another
personal favourite of mine, the reflective minor chords and notes, bring about
a blissful juxtaposition between light and shadow on this well-crafted piece.
A former single is up next and released back in 2021, Ultraviolet and its ebullient melody,
still plays its harmonic bliss within my mind’s eye and reminds me of just how
good a pianist Avella actually is, a tune also that wends its way into the arms
of the next piece wonderfully as we arrive at the doorway of Oscuro, a song with a unusual
structure, but never the less a track that is dark in parts, and also
incredibly addictive to listen to.
The expressions, emotions and scientific reasoning about
light is a subject that can spawn much debate on these next pieces, the artist
does that perfectly well and illustrates this ever changing medium. Resistance has a quality of purpose and
intent built into its narrative as well as containing a charming melody too,
while Color Spectrum, has a deep
rooted emotional mood within its construct, one that plays beautifully with the
heart, whilst Claro elevates the
senses to a height, one that almost lifts the soul from the body and into the
universe itself, in what is without doubt one of the best performances off the
album by Avella.
However when we reach this piece entitled Penumbra, we can honestly say we have
reached a point of brilliance, as the artist plays with both light and shadow
at the same time, in a presentation that is magnificent in all its aspects.
I love to stand in the late autumn and watch the beams of the
sun dance with the first mists of the evening, October is especially magical
with regard to this, this is the perfect time to engage Reflection, and just enjoy as the moment unfurls all around you. Vicente Avella on this piece has
manifested my awareness of this time perfectly, in a track that is artistically
sublime with each note played.
Time for a little Intermezzo,
time to relax and enjoy a slice of peace and tranquillity with the pianist
before he moves us to a whole new world with the track Opaque Object, here lies a sombre yet colourful tale, and a truly
moving piano performance by Avella, a man who is fast becoming one of the most
descriptive pianists around in this modern day.
We are now in the deep and darker waters of the release and
as we drift on or boat of tone and timbre we come across Umbra, we can all witness this during an eclipse. Avella’s stunning
performance here is so proud and resolute that it literally makes the hairs
stand up upon the arm, probably one of the most intense pieces the artist has
performed to date.
The slow slide into this next song is perfectly timed and
placed as we move now to Infrared,
an up-tempo presentation that creates a truly focused composition, one that
flows perfectly into another favourite of mine in Antumbra; Vicente Avella’s
expressions are so passionate here they are actually palpable and so very
moving.
The final and concluding musical narrative is Visible Light, this was a truly clever
move as this parting gift has a sense of an anthem about its construction and
build, and reminds me of another composer Doug
Hammer in parts as well, but simply put, the best way and composition with
which to leave the album.
Physics of Light by Vicente Avella in my view is without doubt the best work of the
artist thus far; this is an album of textures, colours, expressions and
presentations, joined with the science of light itself, it is a superior
release and probably one of the best in the solo piano genre this year with
ease. Physics of Light by Vicente Avella is a must have
collection of outstanding well created and crafted musical narratives, a true
gem of an album simply too good to be missed.
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