Wind, Water and Stone
By
Windtalker
Written by
Steve Sheppard
I like to have a good read of the
information contained within an album, this allows me to gain a written
perspective as to where the artist is about to go with his or her work, so I
was so pleased to see that Windtalker once more has dedicated his efforts to
its indigenous peoples from the home lands of Native America, it would also
turn out to be medicine of great power for me recovering from an annoying
illness, but then again, music and I mean really good music like Wind, Water and Stone is the musical
panacea to cure all ills, so without further ado let’s get our journey started
and trust me this is going to be one of the most beautiful, calming, yet
incredibly emotional rides ever.
Windtalker over the years has honed his skill on the Native
American Flute to become one of the finest creators of his time, you only have
to listen to the opening track to see why, we are of course talking about the
title offering Wind, Water and Stone,
with its delicate and dreamy synth pads and utterly idyllic flute which reminded
me of a journey I took across Dartmoor many years back with UK flutist Nigel Shaw, and I have to add, this has
to be the best start to any album I have reviewed for years.
Minong Mist is our second location, one that is incredibly haunting
as well, the soft keyboard sounds draw a perfect mysterious location for us all
to enjoy, while Windtalker’s magical
flute dances like Pan around the forest, in a veritable mid-summers night’s
dream of a performance.
There is so much to enjoy here,
each new track is like arriving at a new location, this next one is a perfect
example and called Prairie Thunder,
ok so it’s a well know thing that anyone who includes a storm on a track for me
to review has a thumbs up already, especially this one, as this is something I
have actually experienced myself in Oklahoma, rolling thunder across the
prairies, the upbeat energy was perfect for this song and I could wistfully
dream of a herd of Buffalo heading for shelter through the percussive beat and
vibrant flute.
Sacred Mesa is a place of abundant beauty; it’s a world of flute
created by the artist that is literally transcendent, wonderfully meditative
and as smooth as drinking chocolate. There is a crafted and well thought out
hovering intensity at the start of this arrangement that sets the scene so
sweetly, a more caring and honest performance than this one will never be
found, this is music from Windtalker’s
heart, directly to yours.
Maco Sica Dawn is going to go down as one of my personal
favourites, note I say one, as there are so many, the creation of mood here by
the synths and flute are nothing less than remarkable, this is one of those
pieces that literally takes you there. I could have listened to this on repeat
for days, it is so atmospheric. Windtalker’s
performance though is a delight that breathes fresh life into the day and
kisses the lips of infinity, making this piece a truly special offering.
A nice break into the world of
acoustic guitar could be found starting this next track entitled Eagle Dancer, here is a vibrant
manifestation that lights up the sky with its energies, ones I may add are
perfectly balanced to bring the very eager listeners a wonderfully fluent musical
narrative, and another trip down memory lane, reminding me in part of an old Johnny Whitehorse song.
The next one hit the spot, as I
have walked some of the trail of tears and researched much about the heinous
acts placed upon the native people, Stolen
Dreams is a piece that honours the ancestors and ancients, it highlights
the sadness that still hovers to this day uncomfortably around the Midwest.
This I think is the most mournful, yet most poignant performance I have ever
heard from the artist, one that literally moved me to tears.
We swim with reverence into the
latter half of the album and arrive at a music cove entitled Majestic Desolation, so once more this
one gets another personal favourite tick from me, Windtalker keeps pulling these gems out of the hat with such ease.
This is music for the imagination, if you are feeling down or just want to escape,
this track will do just fine, just drift along on the harmonic waves created by
Windtalker, and you will thoroughly
enjoy each and every second.
Our penultimate offering has a
real depth to it, it has a wondrous ancestral mood and is entitled Dakota Rider, the soft rhythmic nature
of this piece brought us a sensation of onward movement, and Windtalker’s flute, the master creator
of great purpose and artistic endeavours, and would lead us perfectly to our
concluding arrangement Pictured Rocks
Suite, a song that had some interesting elements contained within,
especially the added strings, but it has to be said that if you were looking
for the perfect concluding composition this is most certainly it.
Wind, Water and Stone by Windtalker
is an album I can see will be much sort after, not just by lovers of good flute
performances, but by connoisseurs of ultra-classy instrumental music. If you
had the good sense to buy Windtalker’s
last album Awakening and thought it
was good, just wait till you get your hands on a copy of Wind, Water and Stone you will be utterly blown away.
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