Reverie
By
Alan Hanslik
Written by
Steve Sheppard
Alan Hanslik is a musician who generates
melodious electronic ambient music in a similar way with which Brain Eno did back in the day, Hanslik’s
creative juices are in full flow here on this brand new offering entitled Reverie, and indeed the entire release
is a wonder world of calm, introspective moods and more.
Reverie is an eight track release with some
sumptuous offerings contained within, like the opening piece which is proudly
the title track off the album; there is a somnambulant like state being
explored here, and the listener can find dreamy and suspended tonal delights
within it. It feels like we are drifting between thoughts, a beautifully
layered and textured track indeed.
Our next place on our ambient trek through the woods is the
tantalising Quietude. If one listens
carefully there is an underpinned energy of a Gregorian chant here, whilst that
isn’t actually used, the tone suggests it, and it reminds me in compositional
structure of Kevin Kendle’s Distant Storm track. Here is a piece
that is slower and more spacious in context, one could say meditative, but in
reality the piece is much more than that, and manifests a beautiful flow that
cleverly builds and progresses along its way.
On Inner guide we
have a lighter offering with relevant tones that subsequently create a whole
different energy. This entire piece is truly clever, its darker tones and
narrative suggests perhaps a subtle rhythmic movement, which in turn juxtaposes
an impending introspection turning into a slow build and eventual clarity.
At the middle of the release we find the track Passage Home, this meandering offering
gifts the listener a view of hope and home, and to a certain extent a warm and
slightly nostalgic mood can be located in the nub of this creation, the lighter
vibrations and electronics manifest something quite melodic and very assessable
on this emotionally grounded master piece of synth magic.
Hanslik has it just about perfect on his next piece called Night Visions, as you would expect
darker tones are explored here, but ones that sway to and fro, casting an
occasional light onto the composition like a lighthouse does for ships at sea.
However in between the twists and turns of this track, the electronic piano and
swirling synths gift the listener an almost mysterious like arrangement, where
fragmented dreams or subconscious imagery lays deeply buried to only
occasionally surface.
The deeper echelons of this musical world are reached by the
time we reach the piece Bygone. For
me this was one of my personal favourites, with its reflective nuances and
tinged with a melancholia that was deeply palpable and moving. The keyboard and
synth work on this piece are incredibly outstanding, and if I were to release a
single from the album it would have been this very heart felt opus.
The penultimate offering from the release is the exciting Deep Thoughts; this is a fascinating
last but one manifestation as it creates a mood heavier in tone without being
loud, there is a symbiosis of vibration and timbre here will be deeply
appealing to the electronic music fans around the globe, and I would predict
that this is a piece that will easily capture their imagination with ease.
The beautiful short form narrative of Reaching Out ends our journey with a delicious creation, once again
the synth work here by the artist is utterly sublime, and manifests a
conclusion of quiet resolution (but not full closure), which I always find is a
very difficult coda with which to create, but masterfully done by the artist.
Reverie by Alan Hanslik has to be said is one heck of a good album, it has all
the great hallmarks of a really good crafted electronic based album, it
contains ambience, instrumental intelligence, with some underpinned neoclassical
influences. All in all I have a feeling that here is a release destined for the
top of the charts with ease, for Alan
Hanslik and his release Reverie.

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