Kaleidoscope
By
Chronotope Project
Written by
Steve Sheppard
It’s always nice to write about a new artist to me,
especially when the music on this incredible album is so endearing and fluent,
the contents take me back to the golden hours spent listening to ambient and
electronic new age music from the late 90’s and the expressive tones and
colours are rich in there melodic texture to capture my imagination once again,
as I gaze longingly into the work Kaleidoscope
by the Chronotope Project.
The composer Jeffrey
Ericson Allen has in my view created here 11 tracks of superior
instrumental music that is incredibly fascinating to immerse oneself into. The
opening foray for example is called Ariadne’s
Thread (remix), and reminds me greatly of an old friend of mine in Phil Thornton in style, this is classic
new age music fodder of the crafted kind, as the piano, flute, and soft synth
pads manifest a reflective yet gently uplifting tonal narrative.
From a mythologist like me, it is great to see this musical
interpretation, Ariadne's thread is a
metaphor one might say, originating from Greek mythology, referring to a method
of solving complex problems (a "labyrinth") through an orderly
step-by-step approach, and originates to the country below mine to the right
called Crete.
Now something I also have knowledge of during my journeys
through the mid-west and the Native
American journeys of mine, Medicine
Wheel (remix). A medicine wheel is a sacred symbol and physical structure
used by various indigenous cultures in North America to represent the
interconnectedness of all life. It serves as a guide for finding balance in
physical, mental, emotional, and spiritual well-being. The electronic piano
within this track and the smooth synths make this one an absolute favourite of
mine, where one might have expected the artist to grow into a more drum based
offering, Jeffrey Ericson Allen has
done the complete opposite and delivered a slice of ambient electronics that is
some of the most atmospheric I have ever heard, mixing that with an ethereal
soundscape of background vocalisations in a truly impressive offering indeed.
We now move gently to the offering Enigma, keyboard tones gift us a very easy on the ear offering, but
one with a definitive mysterious vibration that swirls around us in the most
magical of ways. Subtle harmonic shifts occur and then onto a more almost prog
rock styled opus, one that you might find from bands like Emerson Lake and Palmer, with the powerful yet composed percussion.
The airy energies of the track Zikr Dance are now upon us, the floating and uplifting narrative
here is beautifully structured. There is an interesting juxtaposition of tone
here, one that is hypnotic and meditative, in parts it reminds me of the more
up-tempo manifestations created by UK synth legend Kevin Kendle, but it is a track very redolent of a dance like
energy, similar to Kevin’s Dance of
Electra.
As we head to the centre of the album we come across a
composition of mysterious proportions called Erda (Raga of the Earth remix). Here is a wonderfully organic,
grounded and ancient offering, and one amazingly breath taking ambient
construct, for me this was one of the most artistic endeavours from the album, blending
Eastern tonalities with ambient electronics, the result is simply musical
mastery.
Spirit Walk is our next musical woodland of
pleasure; this is a rhythmically inspired piece. A spirit walk refers to a spiritual, introspective
journey, often Native American, and aimed at communicating with spirits,
gaining self-awareness, or seeking vision through intense contemplation,
sometimes aided by traditional ceremonies, this charming reverie takes that all
into context beautifully, and manifests an expansive, introspective mood whilst
doing so.
The next piece is one I am glad I don’t have to try and say Geosynchronous (remix). However this
floaty and vast composition is a pleasure to listen to, as it offers much space
for the listener to roam within its structures. A geosynchronous orbit is an earth-centered
rotation; the space styled synth work here is superb and gifts the listener a
track that would easily match the current events as we fly back to the moon
from the orbit of earth, on a brave new path, this track is so redolent of that
subject matter, and beautifully performed.
The curiously titled Dance
of the Raven Man is up next, the opening part of the track has a slight
hint or an eastern motif, but the Raven caws are clever, and reminded me
contextually of one of my wife’s tracks, Chrissie
Sheppard and her single Raven Cove,
because the vibration of this track manifests a sacred space of music to enjoy
as well. This is definitely a darker mythic track, and one that once the
percussive element kicks in, reminds me of Phil
Thornton’s Healing Circle
composition, in its constant onward driving narrative, and its dramatic
ritualistic approach.
The deeper darker waters are now located on this album at the
moment of reaching this piece called Automatic
Writing (remix). This is a layered and textured ambient track, with
repeating electronic motifs and a steady flow of ambience throughout the
narrative, which flows beautifully into the penultimate track off the album
called Longing. To me the beautiful
energies of this piece are the orchestral-style pads and slow harmonic movements, very much in the neo
classical style, containing emotive nuances and in a cinematic quality styled
soundtrack.
Clear Bell Ringing in
Empty Sky (remix) is
our concluding composition, elements of Deuter
can be found here in the natural sounds, chimes and bells, akin to his earlier
material, however the piece slowly develops, into a delicious slow tempo that
one could easily see being used for exercises like Tai chi. This is a fine track to end the album, and almost Zen-like
in its simplicity, the final coda of vocalisations of a choral style sold this
piece for me as one of the best off the album and a perfect way with which to
conclude the experience.
Kaleidoscope by Chronotope Project I would have to be honest and say is the best
album I have had the pleasure to review this year, there isn’t a weak track on
it, and the stylish way with which the artist’s conducts his business is
sublime. This is what all instrumental music albums should be like, varied fascinating,
artistic and compelling, as such I hope this one tops the charts and storms the
awards, for the Chronotope Project
and Kaleidoscope.

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