Piano in the Wilderness
By
Craigology
Written by
Steve Sheppard
Today an interesting album landed on my desktop for review,
that of Piano in the Wilderness by Craigology. Interesting, why I hear you
musing, simply because the artist has become known to me, more for his funky
jazz vibes than that of the ambient solo piano that resides upon this wonderful
new album, and I must say, after
concluding my now third listen, I am incredibly impressed with its beautiful collection
of ambience.
Working Remotely is a relaxing way with which to
begin our piano journey with the artist, the gentle onward narrative gives the
listener a smooth base from which to make a musical standpoint, but for me
personally track 3 illuminated my senses and left me thinking that I had
listened to a true masterpiece. This tonal gem is entitled Marooned and contains a delightful change in chords and structures
of tones from minor to major and back again, gifting the listener an uplifting
yet reflective moment of piano magic to thoroughly enjoy, and for me one of the
best tracks from the artist that I have ever heard.
Before that the more melodic vibrations of pieces like A Midnight Moment, create a lush
classical mood in an almost surreal and sepia landscape, whilst Memories from Tomorrow manifests a
similar mood, but with a slightly more elevated tempo than the aforementioned
offering.
On Water Bird I
found a piece that could possibly be a good single, its natural melody and
rhythm flows quite beautifully, but the tender tempo gives the listener a
caring meditative piece, an offering redolent of the subject matter, as one
watches ducks or swans drift on the glistening surface of a lake perhaps.
Talking of meditative pieces here is one with a repeating
motif that fits the bill and called Archipelago.
An archipelago is a group or chain of islands clustered together in a sea or
ocean. The islands can be small or large, close together or spread out, and
they often share geological origins or ecological features. Craigology has
created a narrative here that allows us to drift by many of these in total
peace and calm.
The slow beginning on Salmon
Run is a beautiful thing, there is an under pinned tenderness here that
contains a wonderfully textured juxtaposition of tone and timbre, combining intent
and a deliberate onward moment, and a piece that has a delicious melody to.
The concluding manifestation is probably one of the most
ambient pieces I have heard from the artist and called Claw Marks. Reminding me at times of a combination of US pianist Michael Harrison and the late but great Harold Budd, with its gentle projected
ambient structures and sensitive tonal delights.

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