In
The Bleak Midwinter
By
James
Michael Stevens
Written
by
Andy
Rogers
James Michael
Stevens is a pianist, composer and
arranger from Nashville, Tennessee. A
prolific performer and composer, he has a large and very successful back-catalogue
of albums and is currently accruing over 75,000 listens per month on Spotify.
This new release sees
James turn his attention to Christmas and consists of his own take on 12
seasonal favourites for solo piano: most are very familiar to us all but there
are one two surprises in there too.
The album starts with
the title track “In the Bleak Midwinter”.
James has opted for the Gustav Holst tune rather than the one by Harold Darke.
The familiar tune is played in a soothing calm way along with some lovely
variations, and it is clear already that this album is no straightforward run
through of those old much loved tunes, instead we have a collection of personal
interpretations of the music.
“Ukrainian Bell Carol” (aka “Carol of the bells”) is a beautiful
version of the well-known tune, taken at a slower pace than usual and I must
say is all the better for it. Just lovely.
“Away in a Manger” is a carol known to us all from our school-days
and James evokes that sense of childlike wonder with a softly played version
that stays true to the original.
Next up is the longest
track on the album. Beginning and ending with “O Holy Night” it segues cleverly into a version of “Holy Holy Holy” before returning to “O Holy Night” to end the track. A very
unusual idea but it works beautifully.
It wouldn’t be a
Christmas album without “Silent Night”
and James does not disappoint with his version. The familiar tune is lovingly
played with variations and embellishments plus a few unusual harmonies that
work perfectly.
Track 6,”Sing We Now of Christmas” starts with
the tune we all know before James takes it to new places with musical bridges
and a wonderful arrangement of the melody.
The next track was new
to me; "Thou Didst Leave Thy Throne"
is a hymn written in 1864, reflecting on the humility of Jesus' birth. A gorgeous tune given a suitably melodic
simple rendition.
“Still Still Still” is the popular Austrian Christmas carol &
lullaby and as such is played in a gentle and calming manner with little or no
extemporising. This may just be my favourite track on the album.
Up next is “While Shepherds Watched Their Flocks”.
This carol is sung to a great many tunes and I thought I had heard most of them
but this was a new tune to me… it has elements of “Joy to the World” and yet is definitely not that tune. Nonetheless,
it is rather lovely and of course it’s exquisitely played here.
Track 10 “God Rest Ye Merry, Gentlemen” is a
carol dating back to the 17th Century. James gives the old tune a
simple harmonious treatment that suits the atmosphere of the music perfectly.
The penultimate tune
here is “The First Noel” played with
a beautiful arrangement by James that takes the familiar old carol to a new
place without losing the feel of the much-loved piece.
Finally we come to “Auld Lang Syne”, the classic Robert
Burns tune sung to say farewell to the old year and welcome in the new. Softly
and reflectively played it is the perfect end to the album.
This is an album for those people looking to celebrate Christmas & the Holidays without the razzmatazz and over commercialisation that has swamped the season. This beautiful calm piano album is perfect to play at home with the lights on the tree, a candle or two and perhaps a glass of something festive to savour as we reflect on what this magical time of year is supposed to be about.

Like snowflakes drifting unhurriedly over a world trying to remember its center, the notes of In the Bleak Midwinter seem to open a secret space between silence and memory. In each interpretation, James Michael Stevens breathes an ancient breeze that awakens something intimate: the certainty that even in the coldest night there is a heartbeat that persists—soft, luminous, and stubborn in its hope. His hands do more than play carols; they touch the threshold where the sacred becomes simple, and the simple reveals its depth. And thus, within this musical stillness, we discover that true light does not burst forth—it whispers.
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