Soul Love
By
Jennifer DeFrayne
Written by
Steve Sheppard
It’s been good to have bathed in the musical swimming pool of
Jennifer DeFrayne once again. It’s
been a few years, in fact since 2017, but she is back with a follow up to that Sisu album and a release called Soul Love. Here we have a journey of
eleven beautifully performed and created piano based tracks to enjoy, ones that
highlight just what a very good pianist and composer she actually is.
The album starts with the opener and one of several singles
on the album called Finding You. This
gentle narrative is a very good base for us to enjoy her fluency with; note the
winding tones of the fretless bass of Michael
Manring on this track as well.
The following tale is another example of De Frayne’s vast
skill set and called You and I,
another former new single, this idyllic chapter in the album has a colourful
tonal delight that is most appealing, and also the added violin of Charlie Bisharat is something to be
utterly grateful for.
The Ways We Fall is our next location of timbre, this
is a somewhat different tale to be told, but regardless, the almost slow dance
like ethic of the track reveals a very strong multi-instrumental flavour, which
includes the rare flute of Premik
Russell Tubbs.
Then ever onwards we travel, and into the opening arms of the
delicacy of reflection called Journey of
Love, a track that is simply beautiful and one of my favourites from the
album, there is something almost mystical about this particular track that
caught my attention, whilst the following story of piano called The Beauty Within is starts at a slower
pace, but then opens up with a full flowing tale of joy and happiness, and one
that contains the English horn of Jill Haley.
One tentative foot across the borderland we find another of
my personal favourites, the deep and fragrant title track Soul Love, here Bisharat stands out and creates a very interesting
juxtaposition of tone with De Frayne’s piano, adding in the percussive elements
of Jeff Haynes, and you have a very
compelling composition indeed, and probably my favourite from the album
overall.
The lighter side is now expressed within the piece called Sonoran Blue, Haley joins now on oboe,
and with the cello of Eugene Friesen,
performs a very charming and light hearted relaxing opus, but one that has a
delightfully inspiring melodic nature overall.
We are now firmly in the latter half of the album where we
will find the pristine and crystalline textures of a light hearted reverie
called Playing in the Snow. This
beautiful offering has a wonderful
symbiotic partnership playing together, in Bisharat and DeFrayne, who manifest something,
quite picturesque and stunningly palpable.
In the deeper weave of the album we find a delightfully down
tempo offering of Abby's Gift. Here
we find the finest solo piano performance ever with the notes literally
imploring you to feel the emotion and colours buried deep inside, this piece on
its own is almost like an anthem unto itself, and De Frayne allows the offering
breathing space by occasionally pulling back.
Caribbean Sunset is our penultimate offering and this
is the third of three singles from the release and is one that contains the
vocals from another very well-known pianist in Fiona Joy Hawkins, with soaring flutes and flourishing percussion
we are gifted a sunset of beautiful colours by any standard, and one of the
most attractive tracks from the release.
The concluding tale is the sweet yet abundant Memories of Them. The charming
interplay from piano and violin is lush, it is as track that is reflective and
deeply emotive, yet uplifting and beautifully flowing, and of course simply the
best way with which to leave the release.
Soul Love by Jennifer DeFrayne is one of the standout piano based albums of 2026
with ease, and it is so good to see her back on the recording trail again. Here
is a release that is packed with a plethora of quality multi-instrumentalists
including Charlie Bisharat on Violin,
Eugene Friesen on Cello, Michael Manring on Fretless Bass, Premik Russell Tubbs on Flutes and
Soprano Sax and EWI, with the Oboe and English Horn Of Jill Haley, add to that the Fiddle of Sara Milonovich, the wordless vocals of Fiona Joy Hawkins and the percussion of Jeff Haynes and magic is made, if this album doesn’t make it to
number one on the charts, there can be no justice in the world of music, as we
leave you with Soul Love by Jennifer DeFrayne.

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