Purple Silhouette
By
James Michael Stevens
Written by
Steve Sheppard
The legend that is James
Michael Stevens is back with another album, and gifted to this wonderful
world is one of his most beautiful yet entitled, Purple Silhouette, each track is a painting in his own art gallery
of tone and timbre, in what I honestly can say is probably one of his best
works as of yet.
This cornucopia of piano delights is 10 songs of some of the
most soothing there are in this genre, and it all starts with the textured
reverie of the title track Purple
Silhouette, a tender presentation packed with colour, tenderness and
compassion in what is a stunningly graphic opening.
The recurrent theme within this second piece is performed
with a slow, but exact precision, this repeated rhythmically delightful melodic
offering would also make a great lyrical theme for a song perhaps, but on its
own it stands proudly and beautifully and called Rondo Amore.
Much can be said for this composition as well entitled Beautiful Prelude, this is a creative
arrangement that flows like a stream in late Autumn, one that is still full of
hope, and one that brings forth elements of memory and reflection, this would
be one of my personal favourites from this release.
When Poppies Bloom
Again has to be one
of the prettiest compositions on solo piano I have heard for ages, its delicate
use of minor and major refrains truly make this a memorable arrangement, it
tender structures are indeed what James is known for, but this piece goes even
further manifesting a heart-warming arrangement of great hope into the weave of
the offering as too.
I was so pleased to see this one up next as we have a Cherry Blossom Prelude right here now
on our streets, everything is bursting into colour, however James has gone much
farther east than us here in Cyprus,
and a true Eastern motif can be both heard and felt.
I adore watching the night sky, and of course our dear and
wonderful lunar celestial object, here on Blue
Moon Lullaby we have something that is utterly idyllic and also quite
haunting, the astral qualities are here yes, but they are neatly juxtaposed
with a memory palace of reflection that is almost spectral in its deeper
essences.
It’s time for a dance, in fact it is time for a Snow Dream Waltz, this is yet another
slice of perfection from the pianist, how could one not see two people skating
together on an iced lake in late January to this one, the theme is happy, the
movement is blessed with a sumptuous performance by the artist.
A horse of a different colour is about to arrive and called Shadow Soliloquy, this has to be one of
the most crafted and artistic endeavours from the album, the repeated minor
motif makes the base of the composition, whilst Stevens tranquil repose of the
construction of notes is so beautifully formed, that it seems to melt into the
shadows of the piece itself quite evocatively in a very poignant way indeed.
We have each night the opportunity to walk about 10 minutes
to our local beach and watch the sunset on one of the most beautiful horizons
in the world, so this offering, this penultimate track off the release has a
little something special inside for us here and Midnight Shore is indeed a gift and a blessing that keeps on
giving, a song impossible to ever tire of.
Concluding an album can sometimes be one of the hardest
things to do, but not for James, he gifts us one last musical present that
tucks us up in bed and pulls the covers upwards to keep us warm, and this hug
of a track is called Go In Peace, a
more tranquil creation you will not find to end a solo piano based album.
Purple Silhouette by James Michael Stevens is one in a very long line of releases by the
artist, but I am beginning to think this could be his best thus far, each track
is melodious, thoughtful, soothing and meaningful, this is true art in the
making, and as such I can be left in no doubt that a huge chart hit could well
be on the way for the pianist, with Purple Silhouette, he certainly deserves it.
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