A Grand Memoir
By
Darlene Koldenhoven
Written by
Steve Sheppard
As a European I have been a fan of Darlene’s since around
2006 and an album called Infinite Voice,
and as she may remember, I fell totally in love with a track called Atmospheres from her release Tranquil Times, for me it gave me a
wonderful insight into her adaptability and skill set. Some 20 years on I now
gaze from a literally standpoint myself, and as a musician, and also a music
writer, and I get to sonically swim in the release that emphasises the artists
life history, the twists and turns of outrageous fortune, the wins and losses,
and the beauty of her latest release A
Grand Memoir, which is coupled by her book Put Down You Dress And Sing.
Darlene and I have many similarities in our growing years,
the extremely strict religious upbringing, the almost shunning of anything
creative in our lives, and the willingness of complicity from our parents to
hold us by pain and suffering to those ideas of control and manipulation as
mentioned in the book. The opening piece on the album I found quite highly
artistic and emotional, and whilst there is a certain irony in that, Love and Devotion is one of my
favourite tracks from the release, it’s powerful and full of self-expression,
an out pouring of emotive tones that increases during the manifestation and
concludes so beautifully with a flourish.
However this next piece I found deeply fascinating, almost
meditative, a true trip around the scales and a highly floating narrative can
be found on the composition called Impressions.
There is a beautifully textured reflective and atmospheric tonal vibration that
one can find in this piece that is so very soothing. One might assume that a collection
of memories rather than a single narrative is being explored here.
The more I listen to this album the more I float back in time
myself; Lilac Tears is a great
soundtrack with which to do that with. Here lies a tender and melancholy
centrepiece, there is a great sadness about this offering than at first meets
the eye and my research tells me the artist associates this piece with the
father's funeral, for those of you who have never lived in an extremely
critical religious household, you should read Darlene’s book and explore the
relationship she had with her father, this piece of music says it all, and is
one of 10 fine pieces, which are musical companions to a real life story.
Wright's Romanza is next upon us, it is the shortest
composition from the album at 3:32, but its contents are absolutely charming
and transcendent. The tonal structures of this almost soaring and meditative
creation are utterly beautiful; one can float within this piece for hours and
simply get lost in an intimate romantic interlude moment, one you would never
wish to end.
Our mid-way composition is another wonderfully fluent and
meditative opus called Caprice.
There is a playful, unconventional energy here that makes this composition very
palpable and enjoyable; the roaming piano takes is on a varied journey of
ambient hues, textures and atmospheric nuances, and the track has a different
harmonic colour from a straightforward major-minor approach.
There are many moving moments in Darlene’s book Put Down Your Dress and Sing, from the
many years that roll by, from the relationships gained and learned from, those
fun moments of a halcyon time, that will only ever happen once in a life time,
but will never be forgotten. For me this next piece takes me to that corner of
the universe and is called Jacaranda Joy.
The structure is bright, celebratory and lifting in its narrative, and after
the more introspective Caprice, this
provides a noticeable emotional brightening for the listener.
Le Petit Carrousel is next, which is interesting as my
dear friend David Lanz has released a
Carousel composition himself, this is
more of a whimsical,
animated movement type of a manifestation, and most certainly a piece that
brings childhood, movement, nostalgia, and playfulness into the album concept.
Deeper in the weave of the album we find Winter In Vienna, this has a creative tonal change to represent the
darker months of the year, and does it incredibly well. Koldenhoven on piano is
spectacular at getting her message over, how fortunate she stuck to her guns
and continued being creative on the piano, and against all odds too as she alludes
to in her book Put Down Your Dress and Sing, which is a must read.
Gentle Song does exactly what it says on the can,
it creates a wonderfully ambient and meditative moment for the listener to
bathe in. As expected this piece is a quiet emotional release, but one that is
comforting to listen to, like a warm blanket on a January evening, one can feel
almost like a moment of rest and acceptance has been found at the coda.
The final gift from Darlene is called Flying With Kites, there is a beautiful lilt to this that makes it
sound almost commercial, and one piece that the melody would work very well as
a TV theme. Reference wise this is associated with the church-camp solo at age
8, and more information of this emotional time for the artist can be found in
her book that accompanies the album Put Down Your Dress and Sing. Also one must note what a clever
juxtaposition of an arrangement this is, as the imagery suggests changes from
looking backward to looking upward and outward.

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