Monday, October 28, 2024

Bella By Neil Tatar

 


Bella

By

Neil Tatar

Written by

Steve Sheppard

 

There is something about the guitar of Neil Tatar that soothes the soul and calms the furrowed brow, the tones harmonics and chords always seem to lighten my day, and the good news is I am listening right now to his latest single entitled Bella, and if ever an acoustic guitar lead the way to the cathartic hills of peace and serenity, this one certainly does.

The tale of the song is fascinating and quite amazing, and relates in part to the Second World War, now you really are going to have to buy this song to find our more aren’t you? This moving piece flows with the effortless transition of time and tide, but here Tatar manifests something timeless and a story that will never cease.

The guitar of the master instrumentalist is so soft and fluent; but we can then match up that with the added artistry of one Premik Russell Tubbs on Soprano Sax, a name that has tuned up many times in my reviews, and another in Tom Eaton who features on this piece on bass, and the band is then made whole with the percussion of the genius that is Jeff Haynes.

I guess I must admit to being biased, but I have always adored the music of Neil, and still have fond memories of his 2015 release Learning To Fly, however here on this new single the artist offers us something reflective, new and poignant, and done so in such a beautifully talented way. Bella by Neil Tatar is a stand out new offering from the composer, and surely big things must be on the horizon for the composition and the creator.


Reflections By Shambhu

 


Reflections

By

Shambhu

Written by

Steve Sheppard

 

It’s a much appreciated thing, having the cadence of my day enhanced to such a level by the beautiful refrains of a truly beautiful album, but that’s been the way this autumn, one tonal delight after another, however the tree of totally classy music has dropped a further packet of delights today with the release of Reflections by Shambhu, and our lives are going to be that much better for it.

I personally rate the artist as one of the finest guitarists of his style in the world today, he creates lush soundscapes, he then turns them into ambient moments of meditative bliss, and thus magic is born. Now I have fond memories of Reflections the single coming out earlier this year and its tender tones are still not lost on me.

We then had a truly creative moment when fellow guitarist, electric in this instance in Leo Stienriede joined Shambhu, and together note by note they manifested something of pure natural beauty called Openings, this one was also released as a single earlier on this year, and like all the others a significant hit on the charts was indeed made.

The latest single release for the composer has come very recently with the gift to us music lovers of the timeless reverie that can now be known as Heart Bridge, the guitars in all there guises here are instruments of exquisite nature, and on this composition doubly so.

At times I feel I’m walking down a sunny country path with the artist, the lyrical tone and timbre of Sunshine Serenade manifest a true sense of a happy nature to be revelled in; this is a track you wish would never end as its gift of positivity is much needed now more than ever.

Our exploratory journey of the instrumental highways of our mind continues with this next track called Destiny which features Geoffrey Menin on piano, the flavours here are incredibly charming and usher forth a superbly balanced arrangement of acoustic guitar and piano, something not easy to do.

We now take a step into the latter half of the album where we find a mysterious creation entitled Wishes; the repeating motif on guitar is worked and crafted sublimely into the main body of the piece by the composer, so well in fact that the piece itself has a colourful Latin disposition that grows, especially towards the latter part of the composition.

The memory of this beautifully composed driving track called Montauk to Mexico with Jeff Oster is still rich in my thoughts, and his magical flugelhorn lives on long in this summer of ours that never ends, and of course another hit single from earlier on this year, its warming charm, the sensations from the mix of guitar and horn was always going to be a winning combination, and still is.

Starscape can be found in the deeper parts of this sublime album, the tone of Shambhu’s guitars on this track, for some reason remind me of how the acoustic was used by Jimmy Page back in the day on Stairway to Heaven, whilst Page utilised a Harmony Sovereign H 1260 for that iconic piece, Shambhu’s choice are Taylor Guitars, but that musical moment of magical wonderment and bliss is still there in this truly artistic composition from the composer, and you have guessed it one of my personal favourites from the album.

A somewhat shorter narrative can be found on the penultimate offering of the album and this gem is called Hope Eternal. The word hope has come up in my writings a lot lately and here it is again, and it would be the best present anyone could give us now, however combining synths and guitar Shambhu has manifested something quite ethereal within this arrangement and I would say it is with ease one of the most ambient pieces he has ever constructed.

We end our acoustic journey with a track called Woodsy Green; a light hearted mix of guitars and styles, making this a perfect ending piece indeed, and after listening to it, there is something about this arrangement that would make an excellent ending to a T.V show too.

Reflections by Shambhu is an album not to be missed at all costs, here is a release that will ease you out of any funk in your day, and lead you into a promised land of harmonic bliss and calm. Shambhu does this naturally, each composition he has released over the decades, has transported the listener to a whole new world of reflective serenity and peace, and here on Reflections he has done it again, allowing you all the time in a mode of introspection, to just drift once more in the flow of life. This release is that good it must surely be acknowledged with a much deserved award.

You can find the album here: https://ffm.to/reflections-shambhu


Saturday, October 26, 2024

Introspection By Bryan Quinn

 


Introspection

By

Bryan Quinn

Written by

Steve Sheppard

 

The mellow yet enquiring tones of this brand new single from flautist Bryan Quinn are remarkable in their thoughtful and melodic manifestations; Quinn creates a mood of reflection that is utterly palpable and all encompassing. The soft keyboards partnered with the inquisitive flute bring to the table of instrumental music, one of the most sensitive songs of the year so far in Introspection.

I have listened to this single a few times now, and each time I do, a feeling of a fresh awareness comes over me, a moment of turbulent time has passed maybe with turmoil, and what is left is peace, albeit fragile, but never the less a reality of peace and contemplation that one can be so grateful for.

The performance here reminds me of several flute performers I have known during my many years in this business, the UK performer Niall being one of them in particular; here Quinn has a wonderful way of laying a musical question and then posing a possible solution, whilst creating the footfalls of enquiry as he goes.

Introspection is the follow up to his debut single a short while ago called Solitude, and in my view this new offering is indeed a very powerful and emotive follow up to that breath taking start, and easily his best work thus far.


Thursday, October 24, 2024

Back to Mind by Luca Mazzillo and Lisa Cullum

 


Back to Mind

By

Luca Mazzillo & Lisa Cullum

Written by

Steve Sheppard

 

From the release Keys for Calm, a collaboration album with all royalties from the album going to The National Alliance on Mental Illness (NAMI) https://www.nami.org  in honour of international mental health day which was on October 10th 2024. Comes a brand new single entitled Back to Mind from the artists Luca Mazzillo & Lisa Cullum.

This sweet short form felt piano narrative builds a hopeful picture of peace and more so tranquillity, within our minds thought and perambulations of our every day lives. A wondrous level of caring and sensitivity can be found in what is a beautiful performance by the pianists on this new creation.

The pristine touch here by Luca Mazzillo & Lisa Cullum manifests a gentle sanctuary of tone and timbre for the listener to take refuge from; its vibrational strength is empathetic in nature and its textures of calm and serenity also adds hints of hope and calm into this heart-warming tapestry of tonal delight.

This is one of the most thoughtful pieces I have heard on this style of piano for a long while, and the mood that it manifests will hopefully assist any listener that is in need of a little peace filled sanctuary time to heal, and once again move forward, a truly tender offering from the artists indeed. 


Letter from a Stranger By Victor Birkan

 


Letter from a Stranger

By

Victor Birkan

Written by

Steve Sheppard

 

The emperor of smooth felt piano is back with a brand new single; of course that is Victor Birkan, and the new single is the mysterious short form narrative entitled Letter from a Stranger, where an interesting tale is told by the artist, one that poses as many questions as it does answers.

The piano performance is deep and thoughtful; one that paves an almost secretive story throughout this composition, Birkan’s presentation is shadowy in context and manifests vibrational tones of two tales as he goes, one from the stranger, and one from the receiver of the letter, in a story that weaves through its darker patterns into the uplifting narrative of a more melodic nature.

There is no doubt that Birkan is a master of his trade and this suspenseful style is the artist on familiar home territory, the gentle start to this composition builds to perfection, and fans of the composer and genre of solo piano will be enthralled by its enigmatic and stealthy musical prose.

More good news can be found for fans of Victor Birkan in as much as this is a double single, and therefore also contains an extra body of work called Just to Reach You, yet another tempting slice of smooth felt piano to encapsulate your mood and enjoyment.


Tuesday, October 22, 2024

Autumnfelt Piano By James Michael Stevens

 


Autumnfelt Piano

By

James Michael Stevens

Written by

Steve Sheppard

 

Music brings one many pleasures in life, but at certain times those pleasures can be doubled to bring the willing listener a cornucopia of tonal delights, such is the case today with this brand new and timely album entitled Autumnfelt Piano, and by who else, but the master of melody and mood, James Michael Stevens.

Our journey through the colourful lanes of autumn starts with the beautiful reverie of Autumnfelt Piano, No. 1 (Lonely Journey). Each passing measure highlights falling leaves from the golden trees onto a carpet of orange below, a stunning opening on piano by Stevens, setting the scene with perfection.

Just take a moment to stop, be silent, breath in the moment and enjoy the tones of this next slice of wonderment called Autumnfelt Piano, No. 2 (Quiet Reflections). A calming introspective offering is found here with such a gentle repose, whilst on this next piece we can take that further, Autumnfelt Piano, No. 3 (Musings), allows us a moment under a changing tree, to consider or to ponder the past, the present and what maybe the future.

James has a golden touch on the piano, felt or otherwise, in fact I would go even further and state that he plays felt with such tenderness and loving care like no other, so much so that you are always fully in the moment with him, as on the pieces Autumnfelt Piano, No. 4 (Nostalgic Waltz), a slow dance through a changing woodland, or Autumnfelt Piano, No. 5 (Swans), a track that reminded me of a place I used to live, where both black and white swans lived, swam and bred in perfect harmony.

The blissful harmonies that Steven’s manifests, are akin to watching Monet paint, each touch is magical, each colour a beautiful texture, much the same can be said for the offering Autumnfelt Piano No. 6 (Tiny Ballerina), a composition that is both pristine in structure, but also craft-fully emotional too, the minor nature of this track is utterly beautiful, and arrangements like the following musical narratives in Autumnfelt Piano No. 7 (Simple Pleasures) doubly so, a happy and affectionate manifestation to enjoy an autumn sunset with perhaps.

It is a curious thing for me, as autumn is now my favourite season of the year, a time of softness of mood and nature, a time of ambient temperatures, even where I live in the Middle East! Tracks like Autumnfelt Piano No. 8 (Reverie) are examples of James Michael Stevens at his very best and most sensitive, whilst the glowing embers of Autumnfelt Piano No. 9 (Leaves of Gold) are for me a guilty pleasure of tone and timbre, this is without doubt one of my favourites from the album, the trickling down of notes and glorious elevation of sound and ambience was simply perfection.

The concluding creation is one of the most thoughtful from the album and is called Autumnfelt Piano No. 10 (Last Sunset). We can postulate here that this reveals to us the last sunset of autumn perhaps, before falling into the iciness of winters frozen touch, the colours from this piece though will remain with us until spring when hope rises from the earth once more, but what a stunning final parting gift from the artist indeed.

Autumnfelt Piano by James Michael Stevens is another in a long line of picturesque seasonal albums from the artist, the softness on felt, the melodic and moving structures all go to highlight that James can be held up as one of the finest of his trade in the current era, and an artist that once again has delivered a sublime autumnal offering for us all to absolutely enjoy this fall. 


Friday, October 18, 2024

Lineage By Michelle Qureshi

 


Lineage

By

Michelle Qureshi

Written by

Steve Sheppard

 

Michelle Qureshi has to be one of the most prolific new age musicians around at the moment, her muse is working overtime and creating some of the most amazing musical compositions of her day, the good news for us all is that she has a brand new album out called Lineage, and it is this voyage of sublime interest that we travel on today.

Qureshi is known as one of the most ambient guitarists of her day, and on Lineage she takes us a special journey through life’s rich tapestry, through the inspiration of the Maiden, Mother and Crone, signifying the lineage of Goddess energy itself.

As always Qureshi’s creations are expressive, timeless and meaningful, the opening track to the album entitled Days So Long sets the scene, a rustic mood and an organic growth can be found within the composition, and the slowly ever growing encapsulating tone.

There are 8 wonderful tracks on this release that guide us along this time worn path, one of the most moving for me was This Shade of Love, a more moving opus of time and tide you will not find, whilst offerings like Time to Let Go offer a poignant moment for us all, the performance here is reflective, thoughtful and deeply emotive, and very real indeed.

My emotions are always shifted when listening to an album from Michelle; she creates such an ambient and atmospheric dimension with her music, and on the penultimate track called Night Arrives, that is even more evident, the light and crafted presentation on guitar here is simply idyllic and quite beautiful.

The end of the journey is wrapped up wonderfully with the final musical curtain call called Rest Now, the moving minor structures and clever acoustic arrangement manifest something both memorable and soothing, and a composition that embraces the total acceptance of the situation.

Lineage by Michelle Qureshi brings to our table of tonal delight a very personal message of truth, life, reality and responsibility. This is the artist going back to her roots, to further understand her personal voyage and the next steps on the path ahead. Qureshi must be one of the finest ambient acoustic guitarists of her day, and as such Lineage will be yet another release that is appreciated by those with a keen ear and an open heart and a desire to hear some of the finest ambient acoustic guitar around.


Heart Vs. Mind By Matias Bacoñsky

 


Heart Vs. Mind

By

Matias Bacoñsky

Written by

Steve Sheppard

 

This scene setting and dramatic opus for the artist, is his continuance with his tale of a post-apocalyptic world, and all the stories that are playing out within its frame, this latest edition is entitled Heart Vs. Mind, and ushers forth a curious dichotomy that is explained through the music and the title of the piece, and of course by a world class presentation on piano from the composer Matias Bacoñsky.

Matias has been on this voyage for many years now, and here on this latest single he expresses the curious juxtaposition of following orders, or comprehension of the truth of feelings and emotions, and the decisions one is invariably asked when it comes to making incredibly deep decisions with regard to them.

The performance on piano and the symphonic backdrop of a charismatic film score styled arrangement is Bacoñsky on home ground, and well within his realm of artistic creation and invention, here on this composition the moods change and sway left and right as the mind of our subject is pressed to make a decision, eventually that choice is made, and with any alternative preferences taken there usually follows the delivery of a range of consequences to be had.

Matias Bacoñsky takes us high, powers along the highway of his creation, pulls us back with musical conundrums, and takes the listener on this continuing journey of dramatic theatre, tragedy and excitement, given all that, this simply is yet another hit waiting to happen for Matias Bacoñsky with Heart Vs. Mind.


Love Notes By Alise Ashby

 


Love Notes

By

Alise Ashby

Written by

Steve Sheppard

 

There is a wonderfully soothing sense of touch on this brand new release by Alise Ashby called Love Notes, upon the album itself the listener has 6 lush and textured ambient soundscapes to enjoy and bathe within, and by the tonal delights that my own senses gathered from its arrangements today, I too feel blessed that I had the good fortune to not only listen to it, but to review it in its entirety as well.

The first footfalls of this album come with an almost haunting reverie called A Moment In Time, the moving synth pads here created a backdrop of sound that was so sensitive and deeply heart felt, the performance on piano by Ashby doubly so, this is a dream like opus to open the doorways to our journey with.

Our next portal to brilliance is called Echoes of Love; here the piano dances a slow soft sensual dance with the synths and light percussive textures. The more I listen to this specific song I am minded that this might make an excellent romantic ballad, it most certainly has that single feel to its arrangement too.

Occasionally we see a Smokey Sunset from our main balcony, usually around this time of year in mid-autumn, and it is something to be so grateful for. The soft ethereal vocalisations within the hovering synth pads is a tapestry of that moment that is so delicate and fragrant, the acoustic guitar here added an extra touch to the composition, that created a vista of outstanding natural beauty to enjoy.

Tenderness is our next composition and if one word could sum up this entire project that word would be sufficient. This composition has that certain feel to it that reminds me of such artists like Mike Rowland and Stephen Rhodes from the 90’s, and the lazy hazy golden years of new age music, this is an incredibly passionate composition, one that oozes both gratitude and love from every pore.

The penultimate offering from this album is called Sweet Surrender and is a composition that utilises the minor aspect of music to a tee; the refrains here reveal a sense of honesty, and of past and present coming together in a realisation of combined tranquillity. Ashby on piano soars and creates a mellow mood, whilst raising the disposition of the piece to an almost transcendent level.

Our concluding composition is entitled Whispers of Devotion, if ever there was a sublime piece to end with then this is it, a heartfelt slice of unconditional love is played out within the notes of this composition, in fact I would go as far to say that this would be the perfect final music for a romantic movie, but regardless a splendid way with which to conclude the album.

Love Notes by Alise Ashby was one of the most charming albums of this elk that I have had the good pleasure to listen to and review for years, this is indeed a stylish release, one that fans of the piano with added instrumentation genre will adore. Love Notes by Alise Ashby has that pristine touch of musical magic about its construction, and I would not be surprised if it literally soared up the charts, it most certainly deserves to.


The Small Hours By Neil Patton

 


The Small Hours

By

Neil Patton

Written by

Steve Sheppard

 

It is interesting that music inspired by the recent pandemic is coming through the system now in way I was expecting it to do some two years ago, but it seems it has taken time for those incredible swathes of emotions, fears and concerns to filter into artistic endeavours, and thus create a healing narrative in such a cathartic manner, here Neil Patton has done that beautifully on his latest release The Small Hours.

This beautiful album is a vast collection of meaningful creations and some 15 tracks grace its charming covers, like the opening offering Day's End, there is a fluent melody here that is simply delicious, but also an energy that reminds us of the impossible task, to obtain sleep whilst the world writhed in confusion, but there is a powerful underpinned narrative that one day things will be right again.

There are many moods and emotions in this release, one that I found most poignant was the cautious and textured offering entitled Good to See You Again. Musically it reminded me of the first time of meeting friends again during the pandemic, that nervousness and apprehension of even being hugged, this composition by Patton I believe is his most sensitive work thus far, and I have albums dating back from him to 2007!

While we were locked away we all gazed from our windows as home took on an entirely different meaning, pieces like A Room with a View captured that sense of aloneness perfectly for me, whilst tracks like The Small Hours have been relevant to me lately, as I have seen most of them this week in one way or another, the presentation here by Patton here is carefully created and wonderfully played, manifesting such a gentle, yet all immersive energy in his performance.

The beauty of having a 15 track album of this elk is that there is usually something for everyone hidden within its realm, whether it be the mournful refrains of This Grief Lies Down Beside Me, or the alternate reality of the opening track Day’s End with the concluding tale entitled Daybreak, a piece that expands on that opening arrangement and gives us something that we need constantly now, hope!

The Small Hours by Neil Patton is indeed a cathartic musical journey through times of confusion and concern, with moments that highlighted our resilience and determination to carry on, and others that touched the humanity in us all. This is a powerful solo piano album indeed, and with each and every composition we can hear and feel, craft-fully narrated and arranged compositions that truly come from a place of unconditional love, and as such I see no reason why The Small Hours by Neil Patton should not be a huge hit on the charts, and possibly more.


Tuesday, October 15, 2024

Ten Mantras By Max Jeschek

 


Ten Mantras

By

Max Jeschek

Written by

Steve Sheppard

 

The time for reflection is now upon us with autumn in full flow, and never has there been a better time to start treating ones physical self-there, mental health and our whole being with a little more respect love and tenderness, and albums like Ten Mantras by Max Jeschek go a long way in helping us to that level of awareness.

Ten Mantra’s is a 10 track release that will aid the listener into a level of meditative bliss like never before and aided by Jeschek’s blissful acoustic guitar. The opening offering is always a good place to start; Mantra of Cyclicity creates an elevation of purpose and energy to allow one to feel the transcendence of the moment.

Whilst offerings like Mantra of Inner Rising manifest a well of curiosity of thought and exploration within oneself, as the artist’s guitar assists us into a loving garden of beautifully coloured flowers to rest within, the day then breaks with the following offering entitled Mantra of Early Morning, a fluent energy creating manifestation, which thus creates a craft-fully inspired sunrise of a composition.

The entire album is so very easy on the mind and heart, and it breathes a fresh perspective of life into our senses, tracks like Mantra of Self-Love being one of the major arrangements I would point to, a beautifully descriptive opus of both care and acceptance of whom we are, and then the piece Mantra of Change, something we all have to embrace and not fight against the tide with, the ever onward presentation was a sublime experience.

The conclusion of this 10 track album comes with the creation called Mantra of Infinity, one of the deepest and most far reaching acoustic guitar pieces I think I have heard in this current decade so far, this final offering is both vast in comprehension, but also one of the most moving and emotive, but what a fine way with which to end the album.

Ten Mantras by Max Jeschek is a unique meditative and reflective release; each and every piece contained within this thoughtful album is creatively crafted and wonderfully performed, the textures and tones of the musician’s guitar are so clean and atmospheric it manifests a wonderfully soothing reverie, a veritable tapestry of tonal delights for each and every listener to thoroughly enjoy and benefit from can be found here.

Ten Mantras by Max Jeschek is without doubt an album that all serious musical aficionados must not miss out on; it’s the next generation of meditative instrumental artistry, and a musical sanctuary of peace and tranquillity.


Thursday, October 10, 2024

Air by David Lanz & Kristin Amarie

 


Air

By

David Lanz & Kristin Amarie

Written by

Steve Sheppard

 

I have a feeling, an honest feeling, which whilst listening to Air by David Lanz & Kristin Amarie that I may have just listened to the best single of year thus far, and there is not much of it left. Air brings Bach back, where it should be, at the fore front of all that in the land of music is good and great.

There are several luminaries within this composition that make this song a veritable Cullinan Diamond of a composition, the remarkable Emmy winning arranger Kurt Bestor, the phenomenal Danish guitar master Lars Hanibal, and someone who I would never have dreamed of writing about, the legendary and still stunning Matthew Fisher, the original keyboardists of non-other than Procol Harum, a band I used to worship as a teen.

From the very first breath of this song it becomes obvious that we are listening to something so magnificent, something so glorious, that if Apollo himself had been listening he would have moved the sun across the sky backwards in honour of it. David Lanz is without doubt one of the greats on the piano, but with his wife Kristen Amarie and her powerful and quite breath taking vocals,  they become two undeniable twin powers of the neo classical music genre.

On this latest single Air, this sublime super group of talent and artistic class, create a whole new realm of brilliance and style, and the performances by all involved has to be one of the most outstanding of the year, maybe even the decade with ease, surely if any song was guaranteed a number one slot and award it must be Air by David Lanz and Kristen Amarie, it is one that you dare not miss!


Walking Mojo By James Filkins

 


Walking Mojo

By

James Filkins

Written by

Chrissie Sheppard

 

I adore the gypsy style of guitar playing, so listening to this latest release, Walking Mojo by James Filkins was an absolute delight, and the addition of violin and accordion just added to that vibe perfectly.

Listening to this arrangement, I could visualise a group of friends sitting around a campfire together, playing music, dancing and simply just having fun. In reality, the arrangement is about Filkins rescue dog Mojo, and the daily walks that they take together. You can just imagine the fun they have as they walk through nature.

James Filkins is known for his guitar playing, sometimes melodic, sometimes vibrant and sometimes with a new age feel, but always for his style and talent. I must also give a shout out to Valentin Štante for his violin playing, and the refined accordion touches from Alex Somov, they just add the right motifs to this release.

Walking Mojo by James Filkins is the perfect release to get you moving around, and I can see this doing well for all lovers and seekers of good music!


Wednesday, October 9, 2024

Beloved By Rachel McGarry

 


Beloved

By

Rachel McGarry

Written by

Steve Sheppard

 

The genre of devotional music within what is loosely called the New Age music genre has seen a steady growth in the last few years, this year particularly so, but the quality of musicianship, tone, timbre and heart felt energies seem to be increasing week by week, another fine example of that comes from Rachel McGarry and her brand new single entitled Beloved.

The song itself is inspired by both Radha and Krishna and is a beautiful voyage not only of self-discovery, but of love itself, the biggest motivator in our lives. Here McGarry’s textured vocals weave a pathway of tenderness and honesty throughout all six minutes plus of this quite outstanding opus.

The piece itself is deeply emotional and one can feel that through the structure of the composition, the lyrics, but more so the amazing vocals of the artist, I can still hear my favourite line from the song run through the meadows of my mind “Dance with me in a field of flowers” simply exquisite and utterly beautiful.

The musicianship and performances by Chris Gartner (bass & percussion) and Jason Fowler (guitar) it must be said were exceptional, and I haven’t enjoyed music from this genre as much as I have this song since Deva Premal gave us The Essence in 2001. This is a guaranteed hot hit for the charts, and a manifestation that is likely to resonate in a timeless musical fashion for many years to come, simply exceptional indeed.


Tuesday, October 8, 2024

The Quest By Keith Fiala

 


The Quest

By

Keith Fiala

Written by

Steve Sheppard

 

My love for all things Jazz has grown over the years, I think of it has as a multi-legged musical octopus, its many arms and tendrils form into a multitude of sub genres, perhaps my early induction came thanks for my undying love of progressive rock, some of the same times signatures found in Jazz can be found in prog, but here today in 2024, I sit and listen to the beautiful tones of one of the finest soulful trumpet performers of his day in Keith Fiala, and his latest album The Quest. How times have changed, but of course truly good music lives on forever, and that’s exactly what we have her with this explorative new release from Fiala, captivating music in motion.

The album itself is a vast body of work containing some 12 unique and enticing musical narratives. That voyage of plenty starts with the almost funky reggae styled opus called Always With Me, a fine hook of a composition that eases you into a blissful ride of smooth jazz and beyond.

The album itself is somewhat of a cathartic journey for the artist too, as three of the beautiful compositions inside this creation are inspired by the artists passed mother, the opening and aforementioned track being the first, with Remembrance and Song For My Mom being the other two, all are deeply emotive and reflective arrangements, and so they should be.

The Quest as a title track takes the entire collection of compositions and manifests an energy deep within, to create an effervescent energy to thoroughly enjoy, whilst manifestations like Behind Your Eyes flowed like a fresh autumn spring from a vast mountain of tone and timbre.

For me one of the most fascinating tracks off the album was Spirituale Regnum, I cannot recall a Gregorian chant being used on a Jazz based album before, but it worked in a stunning fashion, adding in the electronic vibrations and wizardry on one of the most unique starts I have heard, this made for me a track that is one of the most artistically clever pieces I have heeded from a Jazz artist in decades.

I remember listening and reviewing Fiala’s last album New Beginnings and I believe that the musician has climbed the ladder of uniqueness one step more with this enjoyable new release, tracks like Midnight Rain thrilled me completely, I was also grateful for the natural sounds at the start, but that probably more due to the lack of rain over the last 6 months in my village, but indeed with the electric piano, the bass and a bluesy guitar, combining that with Fiala’s trumpet gave me a musical experience that was so good, I had to listen to it in total three times before I could even write a single word.

Tips of the hat on the previous track must go to other musicians known to us at here at OWMR, with bassist Sean O Brien Smith, and that steaming guitar of Billy Denk. Every Jazz fan can find something they like on this album, perhaps the beautifully paced On My Way Home, or the concluding narrative Uncle Bob's Campfire Stories, regardless there is a tale to be told here on this album that is deeply compelling and one that really needs to be listened to.

The Quest by Keith Fiala is an album that will hook you in, sit you down and will not let you go until the last ember on the camp fire has gone out. Keith’s intelligent performances, superb musicianship have brought to us ever eager listeners a Jazz album that contains a storyline, an explorative nature, and unexpected twists and turns along the way, and thus is a release that is both captivating and enthralling and of course incredibly enjoyable, with all that in mind, surely another huge hit must be on the way for Keith Fiala and The Quest.


Waves By Eddy Ruyter

 


Waves

By

Eddy Ruyter

Written by

Steve Sheppard

 

Solo Piano is a genre that is packed with performers, presenters, or as if more commonly used today, content creators, it’s truly a battle to get your music heard in that realm nowadays, but every so often a very classy individual will come along, one who has an abundance of talent and skill, and is able to paint musical pictures of great colour and texture, today we look at one of those said pianists in Eddy Ruyter, and his latest release Waves.

This is a sparkling new project from the composer, one that starts with a full flowing narrative of a track called Shatter. The performance here by Ruyter is both charismatic and full of energy; the composition itself has such effervescence about its construction it is undeniably addictive and exciting to enjoy.

Ruyter follows that power play up with the calmer creation entitled Waterfall, this soft pastiche of tone and timbre falls like rain from the artist’s piano, or perhaps like the drops of the river that pour over the aforementioned Waterfall. There is a magical quality to this track that is so encapsulating and utterly charming, wonderfully flowing images spring to one’s mind whilst listening to its artistic refrains.

The mid-section of the album you will find a delicious offering entitled Broken Waltz, the opening of this manifestation is a reflective tapestry of ambience and character, the latter half of the composition is wonderfully descriptive with its higher vibrations and trickling motifs, ones that in my view go to making this specific piece one of my favourites from the release.

Starlit is our penultimate offering, imagine standing on a balcony in the early hours of the morning and gazing up with gratitude at the amazingly star filled skies above, apart from the fact that I was doing just that at half past five this morning, the composition here represents that moment of magic when one can feel a part of it all, and through one of the most amazing ambient piano compositions I think I have listened to for decades.

The last creation of this exciting new release is of course the title track Waves. This exploratory manifestation combines the softer touches from the artist with the more flourishing narratives, giving the listener a sensitive and reflective composition to depart the album with, and a timeless reverie of a composition that will still flow through our minds long after the music has ceased playing.

Waves by Eddy Ruyter is one of those albums that you will not be able to stop playing, it has imaginative fluency all of its own, it will allow you to cast off the cadence of the day and just enjoy the precious moments of reality. Music is indeed a wonderful panacea to cure most ills, and I believe that Eddy has brought to our musical tables something very pleasurable, entertaining and soothing with Waves.


Thursday, October 3, 2024

The Isle of Innisfree by Shere Fraser & John Hamilton

 


The Isle of Innisfree

By

Shere Fraser & John Hamilton

Written by

Steve Sheppard

 

It is always wonderfully blissful when a suggested duet comes up trumps and delivers a sublime composition for the listeners to revel within; the two musicians in question are flautist Shere Fraser and pianist John Hamilton, both of which I have written about on separate occasions with their own compositions, here they combine flute and piano and bring us a delightful Celtic refrain on their latest single The Isle of Innisfree.

This is indeed a beautiful part of the world as is Ireland itself, the combination of a gentle piano narrative by Hamilton paints the sky and clouds with a tonal fluency, whilst Fraser’s lush flute draws us into the entire locational environment with one of the most charming performances ever.

I have a lot of respect for the work of both artists and listening to this pairing they certainly suit each other’s styles, and it is also a pleasure to hear a little Celtic lilt in a single these days. The land, the country, its legends and its stunning beauty has led to many a colourful, musical composition over the decades; here Fraser and Hamilton bring their A game to the table with this new composition.

The Isle of Innisfree by Shere Fraser & John Hamilton maybe diminutive in duration at just over two minutes, but it is without doubt one of the sweetest and most heart-warming new singles I have heard in this style for simply ages, and thus I have a feeling that a big hit could well be on the cards for The Isle of Innisfree by Shere Fraser & John Hamilton.

Blissful and Beyond By Sharon Chen

 


Blissful and Beyond

By

Sharon Chen

Written by

Steve Sheppard

 

Sharon Chen is an instrumentalist who with each passing measure has improved, grown and expanded her world view of the genre, here on both piano and strings, she gifts us, the ever eager listener, her best release thus far with the album Blissful and Beyond.

Chen’s sublime touch on both violin and piano can be felt here with such a warm radiance of mood and energy, the opening piece alone is enough to literally raise you from any gloom that the day has dragged you into, and the title of that charm filled opus is beautifully called Beyond the Clouds.

Here the listener will find delicate and sensitive arrangements like the touching and pristine composition entitled Blissful Enchantment, whilst offerings like Sun Never Sets, will take you far deeper than you would have ever imagined, those plunging notes on the piano are so vast and all-encompassing, so much so that when the melody full engages, we are taken towards the sunset itself, to watch the glory of the moment on a true anthem of an arrangement.

This 8 track collection of fluent and heart felt musical narratives is summed up perfectly by my favourite piece off the release called River Runs Through. This melodic slice of reflective instrumental music has a tempo that is deliciously paced, whilst the main segment of the piece takes one on a ride down the river of reflective memories.

That easy on the ears manifestation brings us to our penultimate offering Waves of My Heart, where we can also remember our journey through pieces like the new age piano styled  In Your Heart I Stay, or the positivity of compositions like Hello Love Goodbye Rain.  Sharon then brings the project to a conclusion with her final offering to us entitled Eternity Tonite, this concluding short form narrative with its memory palace of a melody, is the perfect final piece for her extremely beautiful album, one which she should be extremely proud of.

Blissful and Beyond by Sharon Chen is a delightful collection of harmonious creations from the artist, combining synth sounds, and her trusty piano and violin, all of which bring to the listener a release of great colour and texture, one that any serious musical seeker should not miss out upon at all costs, and revere as a little something very special indeed.


Tuesday, October 1, 2024

12th - Treasures by Rada Neal

 


12th – Treasures

By

Rada Neal

Written by

Steve Sheppard

 

There are few pianists around in this genre today that are as descriptive and fluent as Rada Neal, her ability to manifest soothing musical narratives on her piano are palpable, and I can speak volumes about this encapsulating performance after having listened to the entire album and being totally spellbound by its creative beauty, so today we journey through the realm of 12th – Treasures her latest release.

I have known of Rada’s work now for some near on 20 years now, the first release I came across back in 2005 called Timeless Third still lingers long in my mind to this day. Here on her brand new creation she manifests comforting reveries like Come What May, a gentle narrative of acceptance perhaps, this is followed that up with the stunning eloquence of In the Silence, a track I could gaze out of the window in the middle of a quiet day too and simply lose all knowledge of time.

There is warmth to Rada’s style that reminds me of the late but great Annie Locke, she like Annie, brings a comforting cuddle along with her music, compositions that give such a feeling of tender warmth for me were Floating and Sweet Dreams, the latter’s sublime melody was truly special also.

Here fans of solo piano will find 12 tracks of absolute delight and pleasure, offerings like Time Stood Still will add a slight air of mystery into the proceedings, whilst the composition Passages added a dramatic flavour onto the plate of our musical table, perhaps an escape has been made from an unsavoury circumstance.

Rada then concludes the project with the penultimate offering entitled Story of the Night, a powerful performance can be found here, this was a personal favourite of mind, in an almost Phantom of the Opera moment, whilst the endeavour itself is brought to a close with the last piece called Sledding, something I haven’t done for too many years to count!

12th – Treasures by Rada Neal was one of the most pleasurable listens I have had of any album recently, its soothing pastiche of solo piano music was both enchanting and captivating, in my view this album contains some of her best work thus far, and fans of this genre worldwide really shouldn’t miss it.  12th – Treasures by Rada Neal is a musical panacea, a cathartic journey of tone and timbre to be truly valued. 


Ontogenesis By NTHNL

 


Ontogenesis

By

NTHNL

Written by

Steve Sheppard

 

This is interesting; when I first heard Ontogenesis by NTHNL I was immediately struck by its meditative nature, I am the type of writer who likes to actually listen to the entire project first before setting my sails to compose, and as always I am glad I did, this is a wonderful body of work, one that reminded me in parts of Llewellyn’s Journey To The Temple at the turn of this century, with its aspect of working through the bodies Chakra system, but here is an album that is different and goes much further.

Here NTHNL (aka) Jacob Rudin delivers the first album based on Ontogenesis. Ontogeny (also ontogenesis), this is the development of an individual organism or anatomical or behavioural feature from the earliest stage right through to maturity.

The beginning of this breath taking compilation of stunning music is Welcome Procession, a mood of an increasing awareness can be found within this piece, offering the true beginnings of the one, this multi-instrumental moment is the foundation of the journey we are about to enjoy.

There is much about this release that reminds me of when I give myself a Reiki treatment, working from the bottom up, bringing balance and harmony to the body, the following musical narrative flows with a precise nature and is called Straightening, Dispersing. At this point we can allow our posture to be straighter, thus allowing the energy to flow naturally; the tones here are deeper in nature, the electronic vibrations create a sanctuary of sound to drift into, and the flute is our guide along the way.

The natural sounds of the ocean at the start of our next piece entitled Nourishing, Holding are a welcome addition; I could do with an oceanic voyage right now, bathing in the healing waters of our existence, the textures here are simply beautiful, and once more that meditative sense of tranquillity washes over me, in the same way as Temple in the Forest by David Naegele did back in 1982.

We now swim within the safe harbours of the album, and as we do so we come across the track Reaching, Striving, Praying. It is as if we have found a thermal to glide on within this sparkling composition, the energy here is invigorating and most assuredly palpable, an arrangement of breath, and focus. The electronic tapestry weaved here in combination with the artists flute is both compelling incredibly uplifting.

Approaching the tor of our musical delights, we now reach the mid-way juncture of the album; the keyboards manifest a dreamy sound, whilst NTHNL’s flute hovers like an early misty September morning. Processing, Detoxifying is our current port of call, and its warming and comforting musical caress is delightful.

The return home starts with the piece Assurance, Rising, here the artists gifts us the vehicle to gain determination and strength for what may be ahead, the swirling nature of the electronic elements here are beautifully held in an informal energetic structure by the flute, and the natural ambience of the piece manifests an arrangement that is utterly transcendent.

The depth on Heart is felt to the core, the keyboards drift after manifesting the initial tone and intent of the piece, from the engine room of the body here is a composition that pumps a true sense into life, creating its own musical tidal structures, the vocalisations within this track and the natural sounds most certainly keep the listener grounded.

This album works on many levels, on pieces like Aerating, Billowing, energies of drifting on the thermals of life can be felt, the meditative ambience here is felt with such serenity in the performance of the composition, a light and tranquil pastiche of peace and serenity is so very much appreciated.

We found ourselves in the deeper waters of the album now, and as the vibrational structures alter and increase in intensity, they are beautifully portrayed by the electronic wizardry of the composition entitled Transmitting, Unravelling, Communing. The synth work here adds a layer of pace and energy into the proceedings, whilst later pulling back like a departing tide, from the tones of the composition it feels like we are in the area of the throat, the release of speaking ones truth can be felt here, and the freedom to do so is also wonderfully catered for by this inspiring and invigorating arrangement.

Our penultimate piece is called Synthesis, Memory. A track again filled with multi-instrumental flavours, the flute of the artist brings an opportunity to reflect, acknowledge and most importantly let go. The higher we go the more ethereal and contemplative the creations become, this piece raises the vivacity of the moment in a most caring and expansive way.

Whilst here now on our concluding offering called Return to the Cloud, Thank You, a moment of gratitude can be felt through the tone and timbre of the piece. This is an all-encompassing last composition, one that is born from the electronic, bathed in meditative keyboard structures, and manifests a feeling of once more being grounded in one’s own personal reality.

Ontogenesis by NTHNL is an album that will become a timeless constant in a listener’s collections; there have been many of who compiled great works using the chakra system, or various healing modalities, but this is a unique collection of thoughtful intelligent unconstrained compositions, all which go to creating an exclusive experience for anyone sensible enough to purchase it, a thoroughly glorious release that will remain on my playlist of choice for many years to come.