Listen
By
Wayne Bethanis
Written by
Steve Sheppard
Wayne Bethanis has been on a journey of evolvement
for years now, and this most accomplished artist and pianist created one of the
wonder albums of last year in Measures of
Light. Here on this brand new offering the creative talents of Bethanis
spread further and wider with the arrival of a breath-taking new offering
entitled Listen, also before we
start, let’s give a huge hats off gentlemen to two crafted talents in Jared Kraft and Marcus Sjowall for their luxurious orchestral arrangements.
The opening piece is so gentle and calming, but The Four Corners is a track of a
meditative quality, the seat of all we are is nestled in the middle of the four
corners of our existence, or the four quadrants of our brain. Bethanis has
created a wonderfully fluent and ever onward repeating style here, one that is
most attractive indeed; at times I also felt a little Beatles influence flowing
through the arrangement to, which is never a bad thing, the inclusion of the
Sitar was pure genius as well.
Orville & Wilbur
(the Right to Fly)
is up next, recently the artist states that he channelled The Wright Brothers, and thus we have a melody that is so inspired
by them, an arrangement so moving, happy and empowering. The crescendos are
blissful, the tempo absolutely exciting, and the full flowing added
instrumentation including percussion, would in my view go on to create one of
the most all-encompassing, elevating, and inspiring compositions ever from the
pianist.
We arrive at one of the most graceful creations from the
album called Tender Years. This is
one of those compositions that was most delightful to listen to, as we, each
and every one of us, has at some stage felt the wide eyed wonder of innocence
and youth. Here Bethanis, through this most colourful and harmonic
manifestations, brings something quite magical to the table, one concluded with
a blissful choir, a coda has never felt so deeply moving than this one does.
The child like images of That
Popular Boy in my English Class was, and is also something that in some way
resonates with us, it maybe something we wished had not have occurred, but the
eventual outcome can be a glourious one, as Bethanis may not have been the most
popular boy at school, but he certainly is one of the world’s finest pianists
of his day, and tracks like this one are such proof should it ever be needed.
There is always a track that tugs at the heart strings, and
knowing Wayne as I do, I had a feeling it would lay softly in the mid-section
of the album. This is a sublime offering, its title is Lonely is the Normal Heart, and its expression is a deep well of
love that can simply never be measured, this for me is a Bethanis immortal
moment, as he creates a melody that will never be forgotten, and perhaps even
channels a certain David Lanz into
the composition.
So after wiping tears from my eyes thanks to the last track,
we now slide into a whole new realm entirely called, Marry Me. This one surprised me, I never expected a song about
marriage, but of course it goes far deeper than just a bonding between couples,
this is our relationship with everything we come into contact with. This joyous
uplifting baroque styled creation, with its illustrious crescendos, would be
one of my personal favourites from the album. For me, this is exactly what
makes Wayne Bethanis such a great
composer and performer and utterly unique.
When Wayne stated his next single was going to be of a Jazz
orientation I must admit I was surprised, but once I had heard the successful
single release from the artist entitled The
Bexley Bop, I was pleasantly pleased, here we see Bethanis performing with
an unbridled and uncomplicated flourish, blowing the blues away, and playing
for the day, it’s no wonder it’s a massive success, and it now adds its vibrant
energies to the cause of the album too.
Brick by Brick (Song
For Jim) is our next
doorway of musical magic, and here we have a memorable and moving opus that is
so very pleasing to the ear. Dedicated to the genius of Jim Brickman, the
pianist gives us a slice of humility and utter honesty with this sublime
performance.
Now for something amazingly special Hadrian's Dilemma, one of the greatest leaders of Rome, he also had
a love that was equal to his passion of his land. This powerful opus of
majestic grace and purpose stands proud and loud as one of Bethanis’s best
arrangements thus far, and this marvellous juxtaposition of warrior and lover
is incredibly performed by the artist. Here we see both sides of the coin, and
Bethanis can in all certainty know that his A game was brought to the field of
battle, in this quite remarkable creation.
Francesca's Affair is our penultimate offering, and a
song so delicate that it will resonate with the lyrical lovers within us all,
it’s interesting this song, before I checked the notes of the piece, I felt
early on that there was a decided Mediterranean nuance to the song, and I was
right, as the heroine within this composition finds herself travelling to
Spain, and on the whim of an adventure inspired by a Tarot card, love, light
and drama soon follow, and once more we see Bethanis creating a multi-instrumental
moment of great story telling and passion, as the mystery unfolds, like the
soft winds across the lapis blue ocean.
The artist interestingly enough finished his last album off
with The Gods of the Egyptians, this
time around we have a concluding offering entitled Egypt and the Sea People. This land is literally just over the
horizon of my coast line, but it is our intention to travel there one day, and
perhaps I should take this flourishing opus with me when I do. The man has done
it again and produced one of the best finishing compositions you could ever
wish to achieve on a musical release; a strong robust and resilient offering
can be found here, a magical mythical merge of mastery by the pianist, with
such craft and talent can be found here.
Listen by Wayne Bethanis is without doubt the most compelling creation of the
artist thus far, here is an album that simply demands to be listened to, its
effective formula, and its flourishing, blossoming performances, are simply
stunning to behold and extremely significant. I believe that Bethanis may have
just created an album of splendour and magnificence, one even greater than his
previous collection, and thus he should receive all the plaudits and praise it
brings; a masterful release everyone should have is on offer here, don’t hesitate
for minute, this is a must have album of great quality.
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