The Wind Within
By
Peddlers of Joy
Written By
Steve Sheppard
The Tank Centre for Sonic Arts in Colorado is the location of
this brand new spontaneous album of quality, multi-instrumental music named The Wind Within, and performed by Peddlers Of Joy. I have never been to
this location, but the music projects recorded at it are some of the most
inventive, artistic and connected I have heard.
Here Peddlers of Joy
manifest seven heartfelt opuses of serenity, with flute, light percussion,
acoustic guitar, vocals and a veritable myriad of other instrumentations, for
example track one called Crossing of
Paths, has a blissful ambient vibe to its overall musical narrative, the piece
moves slowly and carefully, akin to a stranger walking through a misty forest
at night, the appeal of this meditative offering is strong and very enjoyable.
Above is our next track, chimes greet our
arrival and a gentle almost distant flute draws us in further, the build by
Friedman on flute is fantastic, and one that creates a feeling of a wondrous
energy moving toward and away all at the same time. The harmonic value of this
track alone must not be underestimated. The best part of creating long form
music is that you have the opportunity to create art within art, introduce the
listener to many facets of your project, and that has been done exceptionally
well here by Peddlers of Joy.
Part one of four suites is now up, the first is entitled Four Directions Suite: Black, this
honours some of the sacred teachings and traditions of indigenous peoples, and
done in such a way that it brings a sense of harmony peace and tranquillity in
alignment with the mystical narrative, the distant vocalisations of Freyja Wild are simply idyllic and
thoroughly mesmeric, whilst the chimes and slow hovering build are ambience
personified, timeless music indeed.
Four Directions Suite: Red is our next portal to peace, long
form magic is created here by the Peddlers
of Joy, I sat back and enjoyed its reveries for 17 minutes plus, and the
addition of Friedman’s harmonica was not only a stroke of genius, it was also
incredibly inventive and artistic, the use of it manifested a slightly sharper
edge to the arrangement, one which coalesced sublimely with the compositional
structure of this improvised offering.
We point now to Four
Directions Suite: Yellow, this contemplative arrangement is slightly deeper
in its initial tones, the guitar here is brilliant and reminds me of old style Pink Floyd, with that shadowy
vibrational energy, Wilds ethereal vocalisations seemingly drift around, akin
to a mist on an early summer morning in June, the Tank must manifest that
all-encompassing brooding musical reality, where all music is everywhere.
The penultimate piece off the album is also the shortest at
just over 11 minutes long, there is a nice rhythmic essence to this offering
that I thought played out well within this magical realm of the Tank and called
Four Directions Suite: White. The
whole piece was pristinely manifested and the chimes started a slow movement to
an offering that built a fair depth and profundity to its narrative; this was
with ease the most intense track off the album.
So we now conclude with the last offering entitled Within, this is also the longest
composition from the album at well over 20 minutes long, here the group explore
the distance, and the complexities of their location with a truly incredible
arrangement. Vocalisations hovered like a distant storm, and chimes and tones
drifted like smoke from an extinguished candle, this is one of those tracks that
it would be very easy to get lost within, and while you’re doing so, time
actually does becomes irrelevant.
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