The Contemplative Power
Of Water
By
Ali Ferguson
Written by
Steve Sheppard
It is always an utter treat when Ali Ferguson releases an album; it’s like an extra birthday
present, one that you simply cannot wait to strip the wrapping paper off and
gaze longingly at the contents inside. The
Contemplative Power Of Water is this new release, and we’re about to embark
on one of the best voyages through music within the last few years through the
medium of this album, one that will salute the progressive side of rock with
such style and panache.
This sojourn starts with the quite breath-taking title track
itself The Contemplative Power Of Water
(Pt. 1). This fast paced gutsy opener is a perfect starting point on what
is simply an outstanding album, one that I find myself on my third consecutive
listen too. If anyone was ever curious as to the guitar work of the artist, I
would point them to this very song, he shines like a crazy diamond upon it, the
fluency and smoothness is impressive, as are the quieter segments, the build
and progressions and the added electronic touches too. I must thank Ali for the
idea of audio within tracks, as this is something I do now on my own
compositions, its creates a very effective narrative indeed.
Children Of Men is our second port of call, and what
a colourful and interesting beginning it is, almost native and indigenous in
its opening essence, but the build here was something deeply amazing. I truly
appreciated the amazing texture of this composition, rocky yes, but incredibly
artistically layered and consistent in its pure quality, may even be single
material, with its memorable melody and hook.
One of my favourite pieces when I first played the album was
this next offering, with its natural sounds, that nature feel and the sublime
almost Zeppelin acoustic opening, The
River Crows quickly found a place in my musical heart. The artist’s velvet
like vocals on this track, and the quite beautiful descriptive lyrical content,
made this one for me very special indeed. Nice work can also be found on the
onward gentle percussive presentation and the very appropriate work on slide
guitar and pipes too, a track for a movie lies here without doubt.
Stare Into Sunlight
(Release/Control)
must be the most rhythmic piece off the release and one that was so very easy
to listen to. This is one of those tracks that I love to use the term “a true
harmonic convergence can be found here”. This is a vibrant offering that has to
be saluted, and the use of that much desired electronic element is also really
appreciated as well, this goes on to manifest an arrangement that is so
appealing to listen to, but also one of those tracks that literally makes the
hairs on the arms stand up whilst listening.
The second part of the title track is now upon us, and
another blissful moment of musical magic can once again be found here, pay
careful attention to the audio narrative and sounds at the beginning, and then
just drift on the halcyon moments created by The Contemplative Power Of Water (Pt.II). The hovering intensity of
this track and the opening guitar reminded me so much of Pink Floyd that I nearly started singing “Remember when we were young”
However here Ferguson takes part 2 and owns it totally, adding elements of
electronica and a textured tapestry of tone, and we have another masterful
performance that only goes to enhance abilities of the artist within this genre.
We now move gently to our next offering called The Catacombs, the opening to any Ali Ferguson song is always as
important the main body of the work, it’s with Morse code we start this piece.
The calm and soothing creation manifests a wonderful almost anthem styled opus;
the whole mood of this piece is like a journey all in its own construction, and
the artist is the master builder of that musical expression.
We now find ourselves on another world of musical pleasure
called You Can't Hold An Ocean; if
you want to improve your own musical skills, just listen carefully to the build
and progression in this track, this is how it should be done, Ferguson is a
master of the art. The texture of this song starts with a gentle cascade into
an ebullient and full flowing composition that is simply undeniable.
The penultimate track off the album is sheer genius and
brings forth some of the best song writing from the artist thus far perhaps. Peace Begins With Me would indeed
become another personal favourite of mine, any song that moves me emotionally
will find its way into my heart; the keyboard segment here is pure prog, while
Fergusons multi-faceted talents reach a crescendo of class with his guitar solo,
on what I believe is one of the best compositions as of yet from the musician.
Our concluding offering is the completion of the title track
as we arrive at The Contemplative Power
Of Water (Pt. III), this reminds me slightly of Roger Waters in its opening foray with ( 4AM Go Fishing), but warmer, however that soon changes. Here the
artist brings us his longest offering off the album at well over 10 minutes in
duration, the track itself is an incredibly complex creation, with a mix of
eastern musical motifs and a global fusion, one that eventually melds into
anthemic progressive rock moment of utter genius; one has to say going out with
an arrangement like this would be enough to instigate a standing applause from
even the most ardent arm chair rock enthusiasts.
The Contemplative Power
Of Water by Ali Ferguson has been a most enjoyable
experience for me personally, as I hope it will be for you as well. Here is an
album that comes from the very heart and soul of the artist, and contained
within are 9 tracks of sublime brilliance, perfectly produced, wonderfully
performed, and intelligently created. The
Contemplative Power Of Water by Ali
Ferguson surely is an album destined for an awards nomination in its near
future, it is that good and an album thoroughly recommended at all costs.
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