Sketches
By
Michele McLaughlin
Written by
Steve Sheppard
It shocked me a little, to note that I have been following the progression through the ranks of the Solo Piano genre by Michele McLaughlin for near on 10 years now, and remember well my first album of hers entitled Breathing in the Moment. Time and tide have indeed moved on from that point, and so has Michele as she delivers her latest release to us entitled Sketches.
This journey of the keys starts with a colourful number
entitled At First Sight; a mood
filled opus with great movement and style can be found here, and because of the
time structure it has a wonderful cross cultured feel to the piece too, one
that floats into the more Parisian energies of the musical psyche perhaps.
This being a fully improvised album makes it even more
compelling, and to come up with a composition that is so deeply meaningful like
Hope is sublime. The performance
here touched me deeply, as we all need Hope
now more than ever in the world, and this song for me was a heartfelt cry for
it, and so beautifully played as well.
One Life is a piece that has a lightness of
touch to its performance and construction; this is a song that welcomes in the
sun on a brand new day, and dances with the dust of a day just passed. While Waiting is a composition that makes me
think of our current situation globally in lockdown due to the pandemic, a
sense of being held in a stasis or inactivity, and hoping for a change that
seems so very far off.
The deliberate sense of onward movement was cleverly built
into this piece by the artist; The
Traveler is a track that will ring true in the hearts of the many of us who
just cannot do that at the moment, but we can, vicariously through the music of
Michele McLaughlin and this very
composition.
As we approach the half way juncture of the album we come
across a delicate offering entitled Farewell
Little Love. This is a deeply moving composition, one that feels like it
has been pulled from the deepest regions of the heart, the performance on piano
here is one of the most sensitive I have heard for quite a while.
On Forever Yours,
we have a piece that is a musical dedication; it contains a presentation of
truth and honesty, and is so fluently played by the artist it is enough to
bring a tear of joy from the eye of the listener.
We now walk with purpose into the second half of the album
and as we do so we come across a wonderfully deep and confident creation
entitled The Right Choice. Whether
to make it or not matters little, the performance is powerful enough to know
that the choice is going to be the right one, a sublime anthem styled offering
from McLaughlin here.
There have been many of these in my years on this planet; The Long Night is one of those tracks
that will resonate with many. The careful progression and touch of notes here
is incredible, and leaves one hanging on for what’s coming next, which of
course is a wonderfully reflective composition of great passion and sincerity.
Nicely placed after the preceding track we have a song
entitled Relief, from the recital
one could imagine waking from a long night of darkness, and perhaps to a
sprinkling of hope filtering in through the open curtains, once more the artist
finds herself in a wistful mood, and delivers a song that contains great
feeling, skill and style.
This album may indeed be an ocean of improvisation, but look
deeper and you may find a theme, a full flowing mood of sorts, as Home At Last certainly seems to round
off a triad of thought provoking arrangements, and concluding with the happy
reverie of this very piece, and is without doubt one of the warmest offerings
off the album as well.
Our penultimate track off this inventive collection of fine
piano performances is entitled Lost.
There is a classical mood to the beginning of this track that is nice to hear,
but add the moody melody and theme, the result is a brooding film score styled
opus, the presentation here was also wonderfully crafted and a joy to listen
to.
The last sketch we can interpret is called Unshakeable, and this colourful musical
narrative is the perfect ending piece with which to conclude this manifestation
of solo piano arrangements and the pristine performance leaving us in no doubt
that McLaughlin is one of the finest solo pianists of her time.
Sketches by Michele McLaughlin is a moment of total creative freedom for the
artist, her fluency and warm performances thrill our senses, her mood filled
reveries encapsulate our own feelings, there is indeed something on this album
for everyone, and Sketches by Michele McLaughlin must be rated as one
of the best works by the artist thus far, and the ultimate panacea to cure our
musical woes.
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